The experimental scene in Cairo, radio studios in Warsaw, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 2),
Sandra Remski's writings during live shows, the retro-krautrock-mania...
A “writing surface for experimental sound practices” founded in 1989,
Revue & Corrigée is a quarterly magazine on experimental movements in
contemporary music,
performance,
cinema,
dance,
sound installation, and
sound poetry: regular columns, reflections, artist interviews, discographic and editorial news, contributions from various contributors (
Jérôme Noetinger, Grégoire Bressac, Jean-Kristoff Camps,
Michel Chion, Jacques Debout, Pierre Durr,
Michel Henritzi, Henri Jules Julien, Alexandrine Kirmser, Cyrille Lanoë, Laurent Ligavant,
Lê Quan Ninh, Joël Pagier,
Carole Rieussec,
Philippe Robert, Gérard Rouy,
Matthieu Saladin,
Kasper T. Toeplitz, Deborah Walker…).
