An essay on the reception of Jean-Pierre-Brisset's work among his contemporaries and successors (Roman,
Apollinaire, Roussel, Cendrars, Queneau, Leiris, Duchamp, Breton ...), its relationship with futurism, pataphysics, surrealism, dada, etc., its sources and its offspring in the fields of literature, linguistics, psychoanalysis, science, philosophy and art.