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Cinédanse, chorégraphie et image en mouvementPour une généalogie féminine

Erin Brannigan is Associate Professor in Theatre and Performance at the University of New South Wales (Australia). She is of Irish and Danish political exile, convict, and settler descent. Her publications include Dancefilm: Choreography and the Moving Image (New York: Oxford University Press, 2011), Choreography, Visual Art and Experimental Composition 1950s -1970s (London: Routledge, 2022) and a companion monograph to the latter, The Persistence of Dance: Choreography as Concept and Material in Contemporary Art (Ann Arbor: Michigan University Press, 2023). She has published various chapters and articles in film, performance and dance journals and anthologies and regularly presents on dance for ABC Radio National. Her research project Precarious Movements: Dance and the Museum (2020-2024)with Tate UK, National Gallery of Victoria, Art Gallery of NSW, Monash University Museum of Art, Perth Institute of Contemporary Art, Shelley Lasica and Zoe Theodore produced an online sector resource, (precariousmovements.com), and an anthology Precarious Movements (Melbourne: NGV, 2024).
Edited by Chloé Déchery.
Foreword by Marion Carrot.
Afterword by Barbara Formis.
Translated from the English (Australia) by Anne-Gaelle Argy (original title: Dancefilm: Choreography and the Moving Image, Oxford University Press, 2011).
 
2025 (publication expected by 4th quarter)
French edition
12,2 x 19 cm (softcover)
 
ISBN : 978-2-37896-549-5
EAN : 9782378965495
 
forthcoming


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