An artist's book by Jérémie Gindre with backgrounds taken from The Observer's Book of Weather by Reginald M. Lester (1955): a picture book of meteorological oracles, a wink as much to cinema and comics as to the natural history museum.
Artist's book: a "cinematographic" display of previously unpublished visuals by Olivier Sévère, reflecting the phenomenon of mirage, the appearance and disappearance of images, and the presence and absence of water. A text by anthropologist Sophie Brones accompanies the narrative of these Tunisian desert landscapes.
An extensive compilation of Abraham Cruzvillegas' drawings of apes, which he has been producing since the early beginning of his career starting in 1985 (artist's book / leporello).
A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.
This artist's book reflects Eva & Franco Mattes' continued interest in the condition of displacement to be sensed in Fukushima. Borrowing the format of wrapping-paper catalogs, it contains twenty large pre-perforated sheets, each of which features a photographic texture—a seamlessly repeating motif captured by the camera amid the radioactive ruins of the contaminated towns and countryside.
The third volume of the artist's book series dedicated to prehistoric cave painting mostly features photographs taken in everyday life and on trips, as well as found illustrations from scientific publications in various disciplines.
Artist book: a visual and poetic investigation of the enigmatic figure of the "Middleman", combining short punchlines and full-page illustrations, which are wryly reminiscent of Kafka's fictional world. The publication comes with a cardboard puppet, to be screwed and assembled.
This artist's book explores the diverse reference system of forms and materials, plants, animals and other subjects out of which Claudia Comte develops her biomorphic sculptures.
In his "Autobiography", Andrea Salvino uses different visual elements that characterized his production through the years: movie stills, details of master paintings, images of celebrities and many others.
First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.
An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.
The subject of this and the following books in the Spekulationen series is Peter Piller's approach to Stone Age art and its presence in his daily life. This volume presents four hundred and nine photographs found in publications on prehistoric art.
The second volume of the artist's book series dedicated to Peter Piller's field of research of prehistoric cave painting features Piller's own drawings.
François Mangeol appropriates Michel Houellebecq's Sérotonine and reduces it to only the letters representing the chemical symbols composing the neurotransmitter linked to the state of happiness (artist's book).
Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.
New paintings by New York based artist Mark Gonzales—an exploration into the artist's experimentation with color theory and mood inspired by classic portraiture.
This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.
