Painting

First monograph of the African-American artist, renowned for her representations of black femininity, whose spectacular pop patchworks deconstruct and recompose the everyday feminine/masculine relationship in its domestic dimension: an overview of Tschabalala Self's production, with seven essays and an interview.

A selection of Tanaami's Picasso's series.

In this small volume, normally-inanimate objects are brought to life by Amelie von Wulffen's paint brush, moving throughout this strange, surreal universe as if they were real people. The result is a series of darkly funny paintings that shed light on our own mundane realities.

On Patterns reflects the themes in Adelaide Cioni's research: nature, language, craft, performance and abstraction/spirituality.

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.

Claude Rutault's entire definitions/methods from 1973 to 2016, in English language.

The most complete monograph devoted to the Belgian artist of Spanish origin, heir to Ensor, Broodthaers and Beuys.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

An immersion in the creative process of the American painter.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

A brand new body of recent works by the French painter.

The first comprehensive monograph on the Romanian-born, UK-based artist Paul Neagu (1938-2004), whose oeuvre transcends traditional artistic disciplines, and who was for several decades an important source of inspiration for young artists, curators and intellectuals.

First recording: a cascade of sounds and words, recorded one after the other as they arose in the mind, consists of songs and poetry from diverse sources as well as original works by the artist.

85 minutes collection of previously unpublished recordings made at the Friedrichshof commune between 1982 and 1990. Performed by Otto Muehl and members of the commune. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

First monograph dedicated to Marie-Claire Mitout's series of painted images, fixing the best of the day, a life's work initiated in 1990 now including more than one thousand gouache paintings on paper.

Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

An overview of the Pakistani artist's practice over the past 15 years.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

New paintings by New York based artist Mark Gonzales—an exploration into the artist's experimentation with color theory and mood inspired by classic portraiture.

Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.

The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.

A thorough investigation that renews the understanding of Japonism from the French art of the nineteenth century, avoiding the temptation of orientalist exoticism while reversing the logic of influence, with an abundant also entirely renewed iconographic corpus.

This first monograph on Swiss artist Louisa Gagliardi introduces her specific voice within the landscape of contemporary painting.

The intimate and unpublished portraits of the American artist's partner.

Claudia Comte's "autobiography" (artist's book).

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

An exploration of the artistic myth of Michelangelo, which questions the multiple and contradictory uses of the past and the notions of reception, filiation and tradition that are revealed.

An essay by Guillaume Belhomme on the singularly modern work of the painter Eugène Carrière (1849-1906), accompanied by a piece by Japanese saxophonist Harutaka Mochizuki, inspired by the master's paintings.

The first monographic volume on the graphic work of Belgian artist Petrus De Man.

In addition to providing an unprecedented overview of the Swiss Surrealist artist Walter Grab's oeuvre, this catalogue also presents a wide range of different angles on his art, including subjective looks at individual works, art history essays and an associative correspondence using the cadavre exquis technique that was so dear to the Surrealists.

This reference monograph, revisiting the conceptual and sensorial developments pursued by the artist since the 1970s, with a layout by graphic designer Zak Kyes under the artistic direction of Marc Camille Chaimowicz and Anna Clifford, includes a key text authored by Marie Canet.

Reference monograph (also available in English edition).

An overview of the French mixed media artist's work, engaged with historical and found imagery.

This new monograph aims to highlight the fundamental areas of Pietro Roccasalva's production through fifty works from the late 1990s up to the present day, including new and unpublished works from the artist's studio as well as public and private collections. 

Tarot deck of 78 cards drawn by Vincent Corpet from a series of paintings made in 2010.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Reference publication dedicated to the practice of Lubaina Himid, one of the leading figures of British Black Art since the 1980s.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

A novel by Liam Gillick.

This catalogue features an exclusive selection of works created by renowned Belgian painter Koen van den Broek in France, a series on paper based on the architecture of Le Corbusier (Firminy).

Catalogue gathering the series of works realized around the furniture by two artists of different generations but having in common a same refusal of the authority, the paintings of Enrico Baj produced at the beginning of the years 1960 meeting the new sculptures of Martin Kersels.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

Collection of recordings made at the Friedrichshof commune between 1982 and 1990. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.