Music > contemporary / electronic / experimental / improvised music

The third and last volume of the publication dedicated to the French underground musical scene.

Pauline Oliveros's early and rare electronic works in a strictly limited edition on silver vinyl—with no reprint.

Henning Christiansen: Freedom is Around the Corner, the third issue of Blank Forms' journal, is released in conjunction with a retrospective exhibition and performance series of the same name, devoted to the work of pioneering Danish composer and artist Henning Christiansen (1932–2008).

Text transcript of the speech given by Evan Parker in May 1992 in Rotterdam as part of a series of concerts on the theme “Man & Machine.” Dedicated to Buschi Niebergall, De Motu brings a fascinating insight into the art of the British saxophonist.

35 years after the release of their critically acclaimed albumVibrant Stapler Obscures Characteristic Growth the British dadaist group Hastings of Malawi have released a new album—an epic sound poem entitled Visceral Underskinnings. It is a 40 minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

A panorama of the world of do-it-yourself fanzines.

Collector's edition box set including the soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack in the vinyl and CD formats, an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky, and the Blu-ray version of the film, in original language with English subtitles.

This the very first LP of the new collection “Contra Naturam”, a collaboration between Brussels-based contemporary music ensemble Ictus Ensemble and music label Sub Rosa. This audio recording presents a percussion-based composition by Pierluigi Billone, performed by Tom De Cock. Booklet features an unpublished essay by Laurent Feneyrou (in English, Dutch, French).

Never released before recordings from Logos Foundation live sessions in Brussels, on May 7, 1977. Toop and Burwell's association, which ran during the seventies, was a good mixture of musical decomposition through free improvisation, bioacoustics, environmental sound, raw musics, anthropology, and esoterism.

Fascinating and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Electronic compositions from 1979 to 1992 that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity.

Fascinating and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Electronic compositions from 1979 to 1984 that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity.

This catalogue is a visual journey through the artist's show at Mudam Luxembourg. It centers on Almond's series of cosmos-inspired abstract paintings Timescape. Produced in conjunction with the publication, the record All Things Pass highlights the musical dimension of the artist's eponymous video installation. The soundtrack embodies both the tradition of music in Northern India and an experimental approach, expressing links between cosmic and human existence.

The second issue of Blank Forms' journal.

First vinyl re-release of an essential record from Loren Connors' acoustic period.

Cross-continental tape exorcisms.

Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries.

This new record is the re-release of the Belgian cult post-punk band's last cassette tape, reflecting a more raw and experimental side of their work and the beginnings of what was to come. Remastered in 2017.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

A collection of rare free-jazz pieces performed by John Zorn and selected by the American guitarist and music critic Eugene Chadbourne. Originally released in 1998 to accompany the book release Sonora: John Zorn, the album is presented here for the first time in an exclusive release in limited edition on vinyl. This special issue includes the original book that features exclusive interviews, essays and photos about the artist's entire oeuvre up to 1988.

A vibrant tribute to Kenya's musical signature genre Benga.

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before (limited marbled vinyl edition).

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before.

This 3CD set gathers the complete work by Luc Ferrari for films  from 1960 to 1984 including electronic pieces, concrete music made in GRM and some hybrid including traditional instruments. These rare and for the most part unpublished recordings comprise collaborations with Jean Cocteau and Jean Tinguely.

Originally released in 1979 on the experimental label Cramps, I Fiori del Sole is a composition for organ and piano by the Italian duo Michele Fedrigotti and Danilo Lorenzini. This is the first vinyl reissue ever.

Italian electroacoustic composers Giuseppe Ielasi and Nicola Ratti reconvene their unique Bellows collaborative project for a new album. Captured live over the course of a four days improvised session, the album floats between ghostly melodies, musique concrète, and analog electronics.

The second issue of the French magazine dedicated to jazz and experimental music. Featuring: John Stevens, Bertrand Denzler, Piero Manzoni, Michel Henritzi, Ignaz Schick, Arthur Doyle's Nature Boy, contributions by David Toop, Luc Bouquet, Pierre Cécile, Philippe Robert, Guillaume Tarche, Guillaume Belhomme, and more than 60 reviews.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

Unreleased recordings composed for the cinema and the television.

French duo Paradis Noir (Jefferson Lembeye & Olivier Le Borgne) is influenced by both the writings of Malcolm Lowry and the music of PIL, Joy Division and the Velvet Underground, as well as electro-industrial music. Thomas de Pourquery, Black Sifichi and Élise Caron collaborated on this unique album produced by Norscq. The picture disc reproduces two paintings by Tom de Pékin.

A selection of unreleased or hard-to-locate works from 2003 to 2008, a very prolific and creative period for the Californian artist.

In his “Book” George Brecht describes the specific nature of each single page, in a gesture that renders the printed matter a tautological object.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

A unique firsthand account of the French underground musical scene since 1968 (with Christian Vander, Richard Pinhas, Daunik Lazro, Albert Marcoeur, Pascal Comelade, Pierre Bastien, Jac Berrocal, Jean-Louis Costes...).

In September 2015, Japanese legend Keiji Haino played with two of Belgium's most active and valued musicians: keyboardist Jozef Dumoulin and drummer Teun Verbruggen. The Miracles Of Only One Thing is a deep and intense testimony of this meeting.

A collection of sound works by Fluxus artists and affiliates (with Walter Marchetti, Juan Hidalgo, La Monte Young, Ben Vautier, Wolf Vostell, Milan Knižák, Robert Filliou, Alison Knowles, Emmett Williams, John Cage, Joseph Beuys, Yoko Ono, Dick Higgins, Philip Corner, Eric Andersen, Robert Watts, Nam June Paik, and Ken Friedman).

Originally released by Multhipla Records, The Entire Musical Work of Marcel Duchamp is a collection of experimental pieces composed in 1913 by the legendary artist, and executed by Petr Kotik and the S.E.M. Ensemble in 1976. Employing chance operations and non-musical sounds, Marcel Duchamp's musical oeuvre predated some radical concepts developed forty years later by John Cage.

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.

The inaugural issue of Blank Forms' anthology, bringing together a combination of never-before published, lost, and new materials that supplement the non-profit's live programs. It is envisioned as a platform for critical reflection and extended dialogue between scholars, artists, and other figures working within the world of experimental music and art.

French musical website Le son du grisli now in print version. First issue includes: Jason Kahn, Sven-Åke Johansson, La Monte Young, Nurse With Wound, Zbigniew Karkowski, 1910's Manifesto of the Futurist Painters…