Cinema

Two films straddling the line between documentary and audio-visual meditations on landscape.

Super 8 films of the Ecart group, founded by John Armleder, Patrick Lucchini, and Claude Rychner.

When the personal becomes political.

New drawings, designs and an essay by American graphic artist and filmmaker.

Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter.

This book is the first to be dedicated to the British artist's work.

The moving image in art and culture.

Numbered box set (1-100), with an original drawing signed by the artist and an unpublished DVD.

Fully illustrated catalogue realized for the 9th edition of the Geneva Biennial, a festival dedicated to artists' film and video.

Gerard Malanga's first hand documents from his personal archives, with unpublished music by various personalities.

Catalogue.

Flip book realized from the Loop cartoon 16mm film.

A collection of film stills by Jonas Mekas, with notes by avant-garde filmaker.

French exhibitions catalogue.

In a time of plague when the community of the cathedral city of Mâcon is struck with infertility, a beautiful, healthy child is born. He is immediately seen as an opportunity for profit, both by his own sister and by the Church. The newborn brings prosperity and is considered to be a saint. Until greed and ambition lead to his tragic demise.

A series of paintings realized on the famous Vichy pattern of Tati stores. A dialogue from Paris, Texas accompanies the paintings.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Collected texts.

Catalogue.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

The choreographic in cinema.

A critical history of a fundamental video art event: the large-scale study of the entire history of Locarno's VideoArt Festival, the culmination of a four-year research project.