Art & economy / art market

This book reexamines the legacies of modern theoretical and artistic iconoclasm in the context of the current religious-political image wars.

A set of photographs and texts / a large original photograph.

Catalogue of the first Rennes Biennal, exploring what artistic activity and corporate/business activity have in common (and what sets them apart): work and labour, creators of value. With 60 international artists (Adel Abdessemed, Boris Achour, Jean-Marc Chapoulie, Claude Closky, Hans Peter Feldmann, Robert Filliou, Claire Fontaine, Pierre Huyghe, Jean-Charles Massera, Mathieu Mercier, Gianni Motti, Jean-Luc Moulène, Simon Starling...).

Limited edition in a boxed set with the original photo print.

With its 100 questions and answers from major practitioners of the art world and beyond, this book helps to examine the various parameters for a new institutional model (contributions by Lars Bang Larsen, Charles Esche, Peter Friedl, Liam Gillick, Jörg Heiser, Tom Holert, Sarah Morris, Heike Munder, Jean-Christophe Royoux, Beatrix Ruf...).

Book based on the conference “Canvases and Careers Today” which was initiated by the Institut für Kunstkritik, Frankfurt am Main.

Under Pressure (edited by Daniel Birnbaum and Isabelle Graw) gathers together the contributions to a series of conferences held at the Institut für Kunstkritik from 2006-07.

More than a catalogue, this artist's book presents a selection among the 12 000 electric objects gathered for an exhibition by Yann Toma (the President for life of the Ouest-Lumière Company) at the Electropolis Museum, Toulouse (France), described with their specification sheets.

Reference monograph.

A part of the Dutch Pavilion at the 52nd International Art Exhibition of the Venice Biennale.

Yann Toma explains what is Ouest Lumière and "Presidential Art" (limited edition with an original artwork signed by the artist).

A tribute to the foundator of the famous Marseille Gallery, the ARCA and the Art Dealers fair, with contributions by artists Daniel Buren, Dan Graham, Pierre Huyghe, Bernar Venet, Jeff Wall...

Conditions, procedures, framing and circulation of art works.

Yann Toma explains what is Ouest Lumière and "Presidential Art".

An exhibition about the gradually “globalizing” art.

A fully illustrated, artist-designed catalogue.

Projects, texts, drawings, photos and interviews.

Three interviews with the President for life of the Ouest-Lumière Company.

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

The art scene for collectors, and art and economics.

How can the events in which we are supposed to participate be translated into experience? How can we represent ourselves in a History that is being written in terms of the economy and the stock market? Along these questions, French author Jean-Charles Massera discusses the works of various artists (Vito Acconci, Stan Douglas, Felix Gonzalez-Torres, Pierre Huyghe, et al.) and film-makers (Jean-Luc Godard, Wong Kar-wai, Nanni Moretti, Pier Paolo Pasolini, et al.).

Exhibition catalogue (texts by Christophe Cherix, Sarah Lombardi, Olivier Mosset, Caroline Nicod, Bernard Wyder, interviews by John Armleder, Rene Berger, Pierre Keller).

Relations between society and artists.

Neue Welt (New World) documents a group show which investigates the political and social restructuring of recent years. Going beyond one-dimensional statements, the texts discuss the redefinition of public space and the effects of a globalized economy.

Jean-Luc Nancy reflects on the concept of value, around Soun-Gui Kim's “Stock exchange” project.

Retrospective catalogue featuring a chronology of the artist's works, an introduction by Yves Aupetitallot and Lionel Bovier, texts by Mike Kelley, John Miller, and Nancy Spector, and an interview with the artist by Robert Nickas

A comprehensive record of the London-based art collective BANK's notorious project from the late 1990s, a fierce critic of the language elements of the art market.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

Catalogue dedicated to the late American artist: an influential photographer, writer, filmmaker, theorist and critic whose works have been a unique reference in debates and conversations about photography, art and politics for over 40 years. The publication includes a historical and analytical text by curator Marie Muracciole, as well as a 20-page photographic booklet.

In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What's Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.

Kate Cooper stages CGI female models in a parody of lookbook. Reproducing the patterns of hypercapitalist aesthetics, her images underlie a powerful reflection on gender, representation, and the potentialities of the digital world.

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law–based economies. It attempts to shift practices of thought toward both critical realism and new materialism.

Anguish Language approaches language as a core aspect of the present social crisis. The project engages in solidarity with forms of self-publishing, poetry, criticism, experimental writing and declamation that have arisen in the wake of the 2007-8 financial crisis, considering language among and through the social struggles responding to its consequences.

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

The first issue of the magazine dedicated to post-market culture features essays by Marion Maneker, Martin G. Fuller, Steven Shaviro, Taslima Ahmed, Manuel Gnam, Roberto Ohrt, Ben Vickers, Carles, and a visual work by Michael Farin.

Artist's book.

Aesthetic Politics in Fashion outlines critical studies in the present cross-sections of fashion, art, politics, and global capitalism.

A “fictionalized adaptation” taken from the audio of Seth Price's Digital Video Effect: “Spills.”

Theoretical reflections and insights into alternative artistic working models.

What is “work” today and what is its relation to art.

The complex and contested entanglements of contemporary art and its commercial markets.

When the flexibility, certainty, and freedom promised by being part of a critical outside are considered as extensions of recent advances in economic exploitation, does the field of art then become the uncritical, complicit inside of something far more compelling?

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

First monograph, including an essay by Michael Newman as well as Price's own critical take on his practice.

Towards the art world's inner contradictions between symbolic meaning and monetary value.

Interviews with 51 international gallerists.

New expanded edition of a pamphlet against the High Quality Environmental standard for sustainable buildings in France. Architect Rudy Ricciotti argues that this standard only serves the interests of liberal economy.

Drawing on fresh readings of Marxist and post-modern thought, renowned German cultural critic Diedrich Diederichsen compares the abstract and climbing values of artworks with the plunging value of music—a traditionally immaterial art—in order to formulate a broad reflection on the current “crisis of value in the arts.”