A posthumous duo LP featuring text and music by Conrad Schnitzler, music by Wolfgang Seidel, and artwork by Matt Howarth.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

Mahalla – The Survey offers a scientific investigation and an artistic statement which aims at a critical reading and a tentative exploration of a fascinating Uzbek cultural heritage: the mahalla (luxury box set including numerous documents, a 7" vinyl record by Carlos Casas and exclusive art prints by Bas Princen).

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

Unholy Movie is an edition inspired by the films of Vincent Epplay, associated with an original fiction of Daniel Foucard. An audio K7 is included.

Fantas Variations features eight reworks of Caterina Barbieri's composition Fantas (Ecstatic Computation, 2019) by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work.

Cylene Suisse Redux documents François J. Bonnet and Stephen O'Malley's Switzerland tour in December 2019, following the release of their first album, Cylene, whose material is re-worked by Jim O'Rourke and Ryoji Ikeda.

Binding a deep social and political conscious with rigorous musical experimentation, the Brussels based, Italian pianist, performer, composer, Giovanni Di Domenico, delivers Downtown Ethnic Music, the 4th instalment of Die Schachtel's Decay Music series, focused on inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music.

A "poly-autobiographical" musical combinatory poem inspired by the life stories of a group of musicians whose testimonies Alessandro Bosetti has collected, exploring the shifting and multiple dimension of identities through voice expression, between electro-acoustic research, jazz and experimental opera.

Post-isolationist, deep ambient & folk classic Murder Ballads (Drift) by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

This journey, this slowly drifting sonic meditation, is an "inner soundscape", a dialogue between the senses, the conscience and the world, inside / outside, interconnected. Like waking up from a long dream, and being stuck into its echo. The April Sessions immerges the listener into a drone-ish universe, full of random acousmatic events, inner monologues and a vast and unwritten subjective map to be drawn.

Unreleased 25'06 side A track (1979-80) + selected works circa 2000 by a key composer of Belgian electronic music.

A new interpretation of the explosive frog breeding phenomenon.

Don Cherry’s New Researches featuring Naná Vasconcelos.

Don Cherry's lost Summer House Sessions finally available over fifty years after they were recorded.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

A heterophonic musical piece for performative concert, composed by the choreographer Lotus Eddé Khouri.

A beautiful work that features piano, electronics, processing, and field recordings.

An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

Winter Family's new album, a composition for a dance piece by Italian choreographer Paco Dècina (pipe organ, piano, voice), partially recorded in St Martin church of Maxéville, France.

First vinyl edition of the 3rd album by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

Five musicians and producers from Italy and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

With the vinyl recording of a musical, the artist proposes a new chapter in her project on fermentation as a living, palpable theory that blends body, feminism, and community.

An album of “synthetic exotica & pseudo-ethnographic music”.