Second Editions

A wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

This new album by the American cellist offers an appreciation of her talents as both a composer and performer, in a unique and elegant style reflecting her many inspirations, from baroque music to Americana and experimental music.

Serving as a score for David Hartt's film of the same name about the Habitat Puerto Rico project by Moshe Safdie, In The Forest finds Karl Fousek at his most focussed and controlled.

Eva-Maria Houben's music has somehow always been about perspective. These two new pieces, one for piano and one for organ, are once again prime examples.

Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement.

Composer/organist/musicologist Eva-Maria Houben's most compelling piece to date.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.