Corvo Records

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur, Alex Hacke, F.M. Einheit).

A data glitch at the beginning of 2022 was the starting point for the sound art project 60 Seconds Each, as a result of a participatory artistic process initiated by Kristof Georgen: 32 tracks by 32 international artists form a 32-minute listening experience of diverse sound positions, each within minimal "expansion".

Since 2002, Berlin based musicians Tony Buck and Magda Mayas have been developing their duo music as SPILL, recording, touring and occasionally collaborating with international guests. Having spent the last 20 years establishing their unique approach to the piano and percussion combination, SPILL celebrates this milestone with the release of their 5th album Mycelium.

The third release on Corvo Records by sound researcher and conceptualist Stefan Römer, a soundtrack for one of his experimental films as well as a new addition to his meta project "Deconceptualize".

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

Stefan Römer performs quotations from cultural or musical theoreticians commenting on performances by two iconic musicians, Syd Barrett and Conrad Schnitzler.

An accordion and two turntables for an abstract musette.

A sound and photographic project about the disappearance of the Aral Sea in Kazakhstan.

Alessandra Eramo's solo album Tracing South is a sonic enchantment through the use of extended vocal techniques, analog electronics and her hypnotic field recording of bagpipe (zampogna) during the Carnival rites in Southern Italy.

Conceived as rendering of a live concept the Berlin based duo of Tony Buck and Magda Mayas have been developing during one year or so, featuring multi-speaker and multi-layered audio, the essence of Stereo sees SPILL performing in the studio, improvising and reacting to previously recorded improvisations and pre-structured, pre-recorded elements.

A 7" double groove cut concept-album (2004-2017), including field recordings and ringtones composed by Laura Mello.

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

Borromean Rings is a graphic score for double bass and microtonal F tuba, composed for the duo Reidemeister Move by Robin Hayward.

Alessandra Eramo (Ezramo) talks about growing up in Tarano, a city shaped by Catholicism and superstition, by industrial pollution and the ancient tradition of mussel farming. Includes link to the audio files of the sound installation Se Dio Vuole.

A lively improvisation lead by a quartet of instrumentalists blending drone and chamber music.

This composition by Alessandra Eramo shows for the first time a vocal interpretation of eight onomatopoetic words from the Manifesto of Futurist Music The Art of Noises by Luigi Russolo, between sound poetry and noise.

A suite of powerful prepared piano music, inspired by the saga of the Percht, a female pagan godess, which appears on midwinter and whose origins reach back to the Stone Age, still present in the very remote mountain areas of the Austrian Alps. This composition speaks a unique sonic language, distinctively and complex, a multilayered piece of art without any electronic treatments or overdubs.

Special one-sided recording with a visible spiral loop on Side B by turntable-music performer Dieb 13.

Waterkil is a singular sound creation starring Axel Dörner on trumpet & Jassem Hindi on electronics. The recordings for this album were made during a three week residency at EMS in Stockholm and during a live show at Able gallery in Berlin.

The album Living Theory Without Anecdotes conflates Nicolas Wiese's acousmatic compositions from the years 2009-2011. All four tracks are constructed out of samples from acoustic instrument and object recordings, and are characterized by floating structures allowing slow crescendos and little disruptions.

Italian-German artist Ezramo (Alessandra Eramo) recorded the sounds of larvae during their transformation into flies. Trough rough, sub-real field recordings, she explores, interprets and lyrically re-invents the concept of metamorphosis.

The work of these musicians and performers from Germany, Italy, France, and USA is settled between weird Pop, avant-trash, free improvised music, Mediterranean folklore and noise drones. A creation of unique and exciting experiences by artists coming from different social and musical backgrounds.

Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries.

Thorsten Soltau musical cut-up piece Grün wie Milch stands alongside Preslav Literary School's drone tragedy Alamut in this wonderfully designed split album.