Sternberg Press

Produced under the auspices of the exhibition “Transmitting Andy Warhol” at Tate Liverpool, this issue includes a history of the relations between drugs and groups by Ian Svenonius, an e-mail exchange between Paul Elliman and pioneer of voice synthesis Richard T. Gagnon, a collage of voices that conjure Warhol's aura by Michael Bracewell...

A selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds.

A novel written orally by the artist Benjamin Seror.

New monograph.

Drawings.

Michael Tedja's Aquaholism is an exhibition catalogue, a published oeuvre, an artistic treatise, a poetry collection, a visual essay, an artist's book. It is a polyphonic collage of text and image. More than seventeen years of artistic output unfold between the first and last pages. With its thoroughness, density, and associative power, the book embodies Tedja's artistic essence: voluminous, interrelated, and in continuous motion.

Catalogue.

A novel.

This publication examines the impact of Oskar Hansen within contemporary visual culture and the redefined role of the viewer since the 1960s.

An excursive analysis of the potential of narration within the paradoxes of cinematic representation.

The fourth issue in the “Poetic Series” is a seasonally themed special issue, a festive anthology composed of contributions from more than twenty writers and artists.

The question of the temporal politics in the field of art.

First comprehensive monograph.

Liz Magic Laser's recent works.

First monograph, based on the texts of four writers (Agnieszka Gratza, Béatrice Gross, Chantal Pontbriand, and Allen S. Weiss) that each engage with a recent project by Ines Lechleitner.

A monograph / artists' book that engages with the recent film installations of Pauline Boudry / Renate Lorenz.

Catalogue.

The first survey of the Swiss and Danish duo's works from 2010 to 2014.

The possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now.

The exchanges and transgressions between art and dance today.

An intertextual and interdisciplinary approach to exploring some contemporary cultural resonances with respect to gender and sexuality.

The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history.

An introduction to Josef Bauer's oeuvre and practice.

A catalogue / artist's book as puzzling and conceptually elaborate as the exhibition it accompanies.

An unique artist's book based on Paul Sietsema's 16 mm eponymous film, with laser-cut portals and transparent screenlike pages.

An exploration of the concept of the museum from an artistic and outside perspective.

This issue concerns itself with “numbers,” ranging from a brief note on “The Psychology of Number” by John Dewey and John McLellan, to Vincenzo Latronico'ss historical overview of the ongoing attempt to conjure “truths from thin air” (such as proof of the existence of god).

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Monograph / catalogue.

Katja Eydel's photographic body of work.

Catalogue.

Reference monograph.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

The tenth volume in the Solution series edited by Ingo Niermann: a speculative novel that accompanies “Friday in Venice,” a transmedia storytelling project about a possible Europe.

Mark von Schlegell's fusion of theory and fiction puts the SF back in notions of “speculative aesthetics.”

The manifesto of the network of contemporary art centers.

The role of history and commemoration in Germany today.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

First monograph.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

The chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art.

The art/research articulation.

Catalogue of the main contemporary exhibition at HOK in 2014.

Monograph / artist's book, with a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine's approach to working, which gestures toward abstraction and improvisation, as well as three essays that investigate Valentine's process.

This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.

First monograph.