Sternberg Press
Visual Cultures as…
Visual culture is a cross-disciplinary site of encounter for divergent perspectives, including competing attitudes toward the ethical status and ideological functioning of the visual itself. Each volume in this series investigates a single pertinent topic: two colleagues with shared interests—and differing points of view—examine their chosen subject in a particularized and probing manner. Within the format—two essays and a conversation—contents unfold in their own way with respect to their positions, polemics, and poetics. The series is edited by Jorella Andrews, professor in the Department of Visual Cultures, Goldsmiths, University of London.
2024
English edition
Sternberg Press
How does the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return.
2021
English edition
Sternberg Press
Visual Cultures as Time Travel proposes a notion of time travel in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of wildfires and floods, of lost and co-opted futures.
2016
English edition
Sternberg Press
Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's “crowd economy.”
2013
English edition
Sternberg Press
Largely due to the “linguistic turn” that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities.
2013
English edition
Sternberg Press
Gavin Butt and Irit Rogoff raise the question of “seriousness” in art and culture.
2013
English edition
Sternberg Press
Through the medium of distinct films, Astrid Schmetterling and Lynn Turner investigate contemporary questions regarding the ethics of recollection and memorialization within visual culture.