An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

A philosophical reflection on the place of sound, from musical aesthetics to sound habitat, at the crossroads of sound, music and technology studies, and phenomenology.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A vast research on the notion of acoustic and sound ecology and its transition to a new sound ecosophy, integrating the multidimensionality of listening to propose to hear differently.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

A book of poems by the composer of musique concrète.

A collection of texts by Alessandro Bosetti, between theory, poetry and score, all of which breathe in concert with a series of sound projects and often focus on the voice from different angles and perspectives.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

Luc Ferrari's writings, most of them previously unpublished.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

The French translation of David Grubbs's long-awaited study of the role that sound recordings play in representing experimental music of the 1960s.

Sixty years of sound and music creation on the French Riviera and beyond (with Jean Dupuy, Éliane Radigue, Arnaud Maguet, Jean-Jacques Lebel, Sun Ra, Yves Klein, Thomas Köner, Pascal Broccolichi, Lars Fredrikson, Robert Malaval, Ludovic Lignon, The Bells Angels...).

An investigation into the uses of “sound document” in music, since the beginning of phonography.

Reference monograph dedicated to an artist who works with sound as a material.

A complete overview of a pioneer in the field of interactive electronic and musical sculpture's work, with numerous illustrations, texts, and an audio CD with musical installations recordings.

New edition of the American compositor's writings, with an essay on his oeuvre and some testimonies by Steve Reich and Joan La Barbara.

First monograph devoted to the visual work of the New York alternative art scene mythical figure, a pioneer of minimalist electronic rock as the co-founder of the cult band Suicide.

First monograph devoted to the visual work of the New York alternative art scene mythical figure.

First publication dedicated to Christian Marclay's photographic practice.