Contemporary art

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Catalog conceived as a tribute to Jacques Villeglé's insatiable curiosity, exploring his relationship with the world of entertainment (cinema, dance, theater and music) from the 1950s to the end of his career, with texts by Julie Chaizemartin, Emma Lavigne, and Jeff Mills.

The first overview of the artistic research of Andrea Caretto and Raffaella Spagna, an Italian artistic duo focused on site specific art project with a sensible attitude to the landscape.

Conversation on art, real and imaginary, in 13 tableaux between ex-Action directe member Jann-Marc Rouillan and painter Laurent Marissal.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

A monumental monograph tracing ten years of the French sculptor's practice over some 500 pages, with an interview and five essays.

The first monograph dedicated to American sculptor John DeAndrea, one of the founding members of American Photorealism along with Duane Hanson, Chuck Close, Richard Estes or Robert Cottingham in 1970, with an introduction by Catherine Millet, an autobiography of the artist and over 200 pages of illustrations.

First monograph of the African-American artist, renowned for her representations of black femininity, whose spectacular pop patchworks deconstruct and recompose the everyday feminine/masculine relationship in its domestic dimension: an overview of Tschabalala Self's production, with seven essays and an interview.

A retrospective of the performances, photographs, installations and videos of the avant-garde collective that disrupted the Chinese cultural scene in the 1990s.

The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.

This reference monograph, revisiting the conceptual and sensorial developments pursued by the artist since the 1970s, with a layout by graphic designer Zak Kyes under the artistic direction of Marc Camille Chaimowicz and Anna Clifford, includes a key text authored by Marie Canet.

Reference monograph (also available in English edition).

The Drawing Centre Show brings together 62 international invited to produce a series of three drawings, selected by four curators (including two artists, also participating): Gene Beery, Katherine Bradford, Joe Bradley, Roberto Cuoghi, Steve DiBenedetto, Carroll Dunham, Rachel Feinstein, Bruno Gironcoli, Sophie von Hellermann, Charline von Heyl, Jacqueline de Jong, Martin Kippenberger, Maria Lassnig, Tobias Pils, Gerwald Rockenschaub, Lily van der Stokker, Betty Tompkins, Franz West, Heimo Zobernig...

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

The history of the contemporary art center of Metz.

The very first major monograph of Paul-Armand Gette.

First monograph.

New monograph.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

Portraits in 22 tableaux based on the works and words of Bertolt & George Brecht.

The photographs of Christophe Brunnquell, a French multidisciplinary artist, photographer, designer and artistic director, capture models whose faces he has covered with paint, creating a strange, fantastic universe, both morbid and comic.

Xavier Veilhan's drawings.

Marie Bauthias' poetic collages.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

A project by Paul-Armand Gette around the censorship of the Diane Chasseresse by the artist Jean-Antoine Houdon (1741-1828), whose sex considered too naturalistic was plugged up and filled with bronze rods and then hammered in 1829 when it entered the national collections.

Limited edition with an original artwork signed by the artist.

Drawings by artists et alii: previously unpublished works on paper by Matali Crasset, Chris Dercon, Koo Jeong-A, Maurizio Cattelan, Kim Gordon, John Giorno, Ugo Rondinone, Xavier Veilhan, Alexandra Midal, Nathalie Du Pasquier, Amy O'Neill, Arto Lindsay, Yan Pei-Ming, Kamel Mennour, Melvil Poupaud, Sheila Hicks...

Steve DiBenedetto's drawings.

An artistic project carried out around Fordlândia—a town built from 1928 onwards by Henry Ford in Amazonia on the banks of the Tapajòs to intensively exploit the rubber tree needed to manufacture tyres, which, following the failure of the project, became a small village in the middle of an industrial heritage of uncertain statu. With twenty international artists and researchers, in collaboration with Fotoativa, a Brazilian collective from Belém.

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

New monograph.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

Michael Scott's ink drawings .

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

First monograph dedicated to French artist, videographer, performer and poet Julien Creuzet.