Since the 2000s, Polish-born, UK-based artist Magda Stawarska (born 1976) has explored the threshold of memory, the sanctioned shape of history, and the active experience of listening. Through sound and performance, moving image, photography, painting, and printmaking, the artist unfolds overlooked and contested narratives of the past through her practice of "inner listening."
Stawarska's distinct approach to artmaking often begins with explorations of cities. Traversing self-directed routes, the artist has often been compared to a flaneur—moving through each site, cultivating a rhythmic score that reveals a densely layered urban topography. These situated scenes become the basis for a distinct form of language—one of conjured imaginaries. The artist and her carefully chosen collaborators unbuckle the seams of the aural landscape, using personal reflection and language, which the artist uses to create installations that constellate active feelings.
Magda Stawarska develops a long-term collaboration with
Lubaina Himid on sound installation and printmaking.
