Jacob Lund

How our experience of presence, time, and history are articulated in contemporary artistic practices.

This theoretical essay advocates for the overcoming of the dominant notion of the contemporary as the point of departure for the development of (art-) historical imagination.

Introductory book to the “Contemporary Condition” series, which brings out some of the key issues relating to contemporaneity as a defining condition of our historical present—and vows to rethink the deep structures of temporalization as we know it.