Denmark

A monograph presenting selected works from the first ten years of the Danish artist's career, 2013 to 2023.

Arbitrary presents the second in a series of 10" vinyl remix collaboration releases by Danish musician Mads Emil Nielsen and Chromacolor.

A complete survey of the cast, forged, and fabricated metal sculptures made by Danish artist Sidsel Meineche Hansen since 2017.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

The publication Alexander Tovborg: The Church. Photographed by Mishael Fapohunda, edited and designed by Åbäke, follows the artist's eponymous exhibition at Kunsthal Charlottenborg, Copenhagen (2023), in which Tovborg investigated the mysteries and paradoxes of faith, as well as the power of images.

A publication compiled, edited and designed by Danish graphic artist Anni's, based on research into the uses of the grid.

The debut album of Danish group Mesmer, an environmental project including field recordings, improvisations and live recordings, intrigued by the auditive landscapes of places where nature and culture meet and challenge each other.

A record resulting from a 12-hour participatory performance by the Danish collective.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Over 15 years of subversive installation art from a Copenhagen-based collective.

How our experience of presence, time, and history are articulated in contemporary artistic practices.

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

A singular history of cultural encounters between Italy and Denmark.

First monograph.

Tal R's collages from his eclectic collection of images and objects (artist's book).

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

The 2020 remaster & CD reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

An in-depth introduction to the artistic practice of Lea Porsager.

In the form of a conversation with filmmaker and artist John Akomfrah, this book sets out to explore how his work with montage can be understood to articulate contemporaneity in sensuous ways.

A study of clouds through photographs, drawings, essays, and interviews.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

Reference monograph: the most comprehensive introduction to the Korean artist's postcolonial and feminist approach.

Artist's book.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

Mads Emil Nielsen continues his Framework series, a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen's own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations—in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

The publication presents a collective project lead by artist and researcher Verina Gfader.

This theoretical essay advocates for the overcoming of the dominant notion of the contemporary as the point of departure for the development of (art-) historical imagination.

Once upon a time, in a coral palace at the bottom of the sea, hidden from human eyes, there lived a princess with a fish's tail. Her parents adored her, and she was engaged to the most tender and beautiful of all the mermen, and she could have been the happiest of all the mermaids. But the little princess was desperately unhappy… (an illustrated philosophy book for children).

A Western Marxist analysis of the relationship between the historical present and political action.

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

A collection of new writing and curatorial projects stemming from the activities of the Kunsthal Aarhus, Denmark, from 2013 to 2014. These projects reflected on the conditions for making curatorial “events” that are extended over longer durations to connect their constituent elements—exhibitions, texts, projects—across space and time.

Publication gathering 49 posters representing photographs and film stills by the Danish artist. It also includes a booklet with comments by Villesen, and an essay by Joerg Franzbecker.

A biological investigation of a Nordic man-made beach landscape through a series of cameraless photographic registrations of the site's flora, fauna, and particles.

In 1961, L'Illustrazione Italiana sends critic Giorgio Zampa and photographer Ugo Mulas to carry out a reportage in Denmark. Along their meetings with writer Karen Blixen or Nobel Prize Nils Bohr, the two correspondents also witness the new manifestations of the Scandinavian lifestyle, characterized by its design and its modern habitats.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Introductory book to the “Contemporary Condition” series, which brings out some of the key issues relating to contemporaneity as a defining condition of our historical present—and vows to rethink the deep structures of temporalization as we know it.

A series of sculptures set in a roofless exhibition space in Merida, Mexico.

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

Botanical trajectories and symbolic dimensions of Merano's palm trees (artist's book).

100 photographs of tools on magazines to celebrate the century of the Danish constitution which gave the right to vote to women and nown-owning citizens—including farmers, servants, apprentices and journeymen in the trade and craft (artist's book).

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.