Michael Corris is an artist who lives and works in Dallas, TX. During the 1970s, Corris worked with the conceptual art collective
Art & Language (1972-1976), and was a founding editor of
The Fox (1975-76) and
Red-Herring (1977-1979). Corris has exhibited extensively in North America and Europe; his artwork and artist bookworks are held in public collections including the Museum of Modern Art (New York), the Whitney Museum of American Art (New York), The Getty Research Institute (Los Angeles),
Le Consortium (Dijon), Victoria and Albert Museum (London), TateModern (London). Corris has published widely on contemporary art in journals and magazines such as
Art Monthly,
Artforum,
Art in America,
Art History, and
art+text. Recent monographs and chapters in edited publications include
Conceptual Art: Theory, Myth and Practice (Cambridge University Press, 2004),
Ad Reinhardt (Reaktion Books, London, 2008),
Art, Word & Image: 2,000 Years of Textual/Visual Interaction (Reaktion Books, London, 2010) (with John Dixon Hunt and David Lomas) and “What's Wrong With This Picture? David Diao Visualizes Data”, in Philip Tinari, ed.,
David Diao: Works 1969-2015 (Ullens Center for Contemporary Art, 2016). Corris is Professor of Art at the Meadows School for the Arts, SMU, Dallas, TX, USA.
