A famous
designer and co-founder of the
Memphis group in Milan in 1981, Nathalie Du Pasquier (born 1957 in Bordeaux, France, lives in Milan, Italy) accompanied the (post)modern adventure around designer
Ettore Sottsass, with the creation of objects, fabrics, carpets, and furniture. In 1986, she started devoting herself exclusively to two- and three-dimensional
painting. Memphis's radicalism and formal inventiveness measured solely in terms of a scathing and iconoclastic postmodernism erased a little too quickly the adventure's modern foundations. Nathalie Du Pasquier's paintings are a perfect revelation of these connections: axonometric compositions applied to painting, the palette of muffled colors, objects, when they are present in the compositions, wink at the purism of a Corbusier or an Ozenfant. Mixed with memories and assimilations arising from the most tridimensional Suprematism–the architectones–some paintings and constructions also give prominence to this history of art and the applied arts.
