A look back at the career and work of Vasıf Kortun, an exhibition curator, author, and educator.

A wide-ranging investigation into the architectural legacy of the rural utopian communities that settled in California in the 1970s.

We Lost Control Again surveys the questions raised by the work of artist Rikke Luther between 2015 and 2025, exploring the long-range effects of this era of collapse, and the effect on social orders and the stability of the Earth system.

Mud … and the Earth System explores Rikke Luther's groundbreaking research in Earth system sciences and highlights the challenges of communicating these findings to the public.

An artistic inquiry into "future nostalgia".

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

Bianka Rolando's first book published in English, Inselbergs is a volume of poetry accompanied by the author's own lithographs, combining word and image to reflect her interdisciplinary practice.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

The first comprehensive monograph on Nina von Albertini's sculptural jewelry which she began making in the late 1970s after becoming a silversmith and moving from Switzerland to Florence and New York.

The first book to document the evolution of bio art and the aesthetic development of Eduardo Kac, the creator of the "artist's gene" as well as the controversial glow-in-the-dark, genetically engineered rabbit Alba.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing (new edition).

A fascinating journey through the long history of media before the age of mass media.

In this second issue, Les Cahiers du Collège international de photographie continues its exploration of contemporary photography—its practices, materialities, and transformations—through a dialogue between theoretical and critical essays, narratives, interviews, portfolios, and original works.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

Fifty verses by New-York musician Moondog (new edition).

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

The first monograph devoted to the entire multidisciplinary and unclassifiable body of work of French poet, writer, musician, and director F.J. Ossang, spanning more than half a century.

What are AIs doing to us, and what can we do to them?

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

An insect theory of media to understand our media devices and our technological modernity.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

Philippe Jaffeux explores each letter of the alphabet through experimental poetry, continuing the tradition of the Lettrist movement.

The first in-depth examination of the life and work of the Pakistani feminist artist, activist and pedagogue Lala Rukh (1948-2017).

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Collected texts.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

A comprehensive study of the multifaceted practice of Argentine artist Edgardo Antonio Vigo (1928–1997)—sculptor, printmaker, poet, mail artist, performance artist, typographer, designer, etc.—focusing on his publishing activities in the 1960s and 1970s, set against an extremely repressive political backdrop marked by instability, coups d’état, and violence.

This collective publication sheds light on the still little-known history of the relationship between graphic design and research in the humanities and social sciences during the second half of the 20th century, focusing on the Graphic Design Laboratory of Jacques Bertin, a cartography theorist and pioneer of data visualization.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Azimuts devotes issue 62 to the questions that the fake poses to forms of visibility, whether in the field of art or not.

A collective reflection on the key role that creative uses (and appropriations) of new technological tools play in the evolution of musical and sound practices and cultures.

A book at the intersection of vernacular photography, archival material, and contemporary art, in which Marine Armandin transforms a collection of anonymous images into a unique work of art. By assembling photographs found on online resale platforms and creating new combinations, she brings forth unexpected narratives imbued with a very special kind of poetry.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.