An inventory of the controversies surrounding the issue of geoengineering, as a set of the large-scale intervention into the earth's natural systems attempting to counter the adverse effects of climate change.

An update on the issues at stake in the study of the human microbiome (various bacteria, viruses and micro-organisms that compose the human body's ecosystem), shedding new light on the relationship between humankind and nature and the new micro-biopolitics we are now facing.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

A collection of critical, polemic, and personal essays composed in the past decade.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

New monograph of the Beninese painter.

How a pre-architectural world became a central object of study by architectural historians and architects in the aftermath of world historical events.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

A critical history of VideoArt Festival Locarno.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

The fifth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the camping tent.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

A transdisciplinary reevaluation of the dialogical character of humanism.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely.

Artaud's last unpublished work.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

A pioneering study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism"—the concept of a unity of matter and spirit—emerged and became increasingly popular among intellectuals, artists and scientists.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

An essay on the birth of artistic manifestos in the 19th century, from Jacques Louis David to Gustave Courbet.

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

A reflection on our present, through a series of portraits of contemporary artists.

Invited by Marie de Brugerolle, a group of artists look at the work of John Baldessari.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.