A pair of small-format artist's books, conceived as two visual sequences bound together by tension, attraction, and delay.

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

A powerful and highly original psychoanalytical, philosophical, and political exploration of the dimensions of sensitivity, the unconscious, and psychedelia in the context of an experience based on medicinal plants (peyote, mushrooms, and ayahuasca) and psychotropic drugs, in the wake of Félix Guattari's thinking.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

An insect theory of media to understand our media devices and our technological modernity.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

A transdisciplinary reevaluation of the dialogical character of humanism.

A study of the affects and effects of Russian narratives and their global dissemination.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

A further in-depth insight into the paradoxical universe of Beni Bischof.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

A personal reflection on fragmentation, language, and place.

A collection of portraits by Pieter Henket that focuses on a new generation of young Mexicans who are redefining contemporary expressions of gender, identity, tradition, and spirituality.

The Swiss artist and writer studies a place at beetle height.

The artist's photographic view of the folk tradition that celebrates Swiss tobacco culture by introducing young children in Appenzell to smoking.

An artistic inquiry into "future nostalgia".

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

The years of war and exile of Constant Permeke.

Sylvia Sasse explores and analyzes subversive affirmation as a critical practice in different political systems.

A reflection on the autonomy and eternity of art by Canadian writer Madeleine Thien, based on a mural in the Thousand Buddha Grottoes of Bezeklik, China.

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

The first major monograph dedicated to Dutch artist Charl van Ark.

The first comprehensive monograph on Nina von Albertini's sculptural jewelry which she began making in the late 1970s after becoming a silversmith and moving from Switzerland to Florence and New York.

The first monograph devoted to the entire multidisciplinary and unclassifiable body of work of French poet, writer, musician, and director F.J. Ossang, spanning more than half a century.

How plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

A diverse compendium of writing and visual art that addresses pertinent issues found in the work of artist Hiwa K.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

On the forms of sabotage, insubordination, and invisible activity that evade the terrain of politics.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

First monograph.

Bianka Rolando's first book published in English, Inselbergs is a volume of poetry accompanied by the author's own lithographs, combining word and image to reflect her interdisciplinary practice.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

A novel about the coming-of-age of a gaze.

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

Reflections on the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.