The Forgive Us Our Trespasses Reader explores radical and emancipatory significations and fabulations of trespassing, turning towards practices that transgress and reshape the boundaries of, among other dimensions, currency, governance, religion, spirituality, language, and artificial intelligence.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

A collection exploring the intersections of gender and religion in post-secular knowledge production and visual culture.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Traditions of realism are brought together with the decolonial and ecological concept of "planetarity" to understand a new realism in contemporary art.

A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

Meenakshi Chakraverti's first novel.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

Kim Hastreiter, co-founder of the beloved Paper magazine, has spent the last 50 years amassing a vast and iconoclastic collection of stuff. This volume, aptly titled STUFF, chronicles an extraordinary slice of history and the people who defined it, using Hastreiter's singular edit of art, fashion, design, photography, books and ephemera as a lens.

First monograph.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Lavishly illustrated, this publication on the Argentine-Swiss artist Vivian Suter offers an immersive approach to her acclaimed painting practice, whose relationship with the natural world makes it particularly challenging.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

Reference monograph.

Rehabilitating the concept of the ordinary in Italian architecture: a journey across an imaginary landscape composed of examples of ordinary beauty, accompanied by reflections by scholars and professionals.

A seminal exploration into screens' crucial functions and profound impact on human culture.

A collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

The first comprehensive book on the art of Frank Malina (1912-1981), the American rocket scientist turned Paris-based artist, one of the fathers of light art.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A survey of Leeds School of Arts Fine Art Student Gallery activities, an experimental and open site caring for the art it stages.

Catalogue of a group exhibition exploring a period marked by the presence of technology, the post internet era.

The second issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

A new architecture of ruin, using wood and steel from the Baumettes prison in Marseille.

Monograph of works on paper by French painter Silvère Jarrosson.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

The first French translation of Vivian Sobchack's work, Le corps du film – Une phénoménologie de l'expérience filmique offers a new perspective to the phenomenological tradition through an interrogation of our cinematographic experience and, more generally, of our relationship to screens.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.