More than 250 works (paintings, drawings, works on paper) from 1922 to 1989.

An exhibition focusing through artist of our time the deep relation ship in between nature and humanities.

An extensive show conceived by Streuli according to the specificities of the exhibition spaces.

New books, posters and artwork by Aurel Schmidt, Chris Dorland, Gordon Hull, Jason Lee, Jason Nocito, Julia Burlingham, Kim Krans, Mark Delong, Michael Schmelling, Patrick Griffin and Tim Barber.

Group show.

An exhibition conceived by Prince especially for the Serpentine Gallery, featuring a selection of his most iconic works as well as several new sculptures.

Exposition rassemblant pour la première fois une centaine des travaux photographiques de Marclay.

Book Launch and discussion between Jörg Heiser and Brian Sholis.

Conference by John C. Welchman around the Mike Kelley exhibition.

A choice from the Stedelijk Museum collection by Wolfgang Tillmans.

A Dialogue of the Collections Lafrenz, Hamburg, and Daimler, Stuttgart/Berlin.

A decade of work that demonstrates how cinema—now encompassing such related moving-image media as television, home video and digital entertainment—is a pervasive artistic and social language that complicates rather than clarifies the relationship between fiction and reality.

Peter Saville at the ECAL.

The Sybil Albers et Gottfried Honegger collection.

Deux expositions parallèles : première grande rétrospective consacrée au groupe Présence Panchounette, organisée dans douze sites de la ville, et exposition de plusieurs générations d'artistes dont le travail entre en résonnance avec celui du collectif bordelais.

Works from the Astrup Fearnley Collection.

Saâdane Afif experiments with a new variant of his exhibition practice, developing work that incorporates musical elements, writing and installation.

Several new productions, each of which is an adaptation by Afif of a previous work.

Tim Eitel / Jan Fabre / Julius Grunewald / Jonathan Meese / Bruce Nauman / Philippe Pasqua / Anselm Reyle / Gerhard Richter / Christopher Wool.

The group exhibition, curated by Matthieu Poirier, brings together works by nineteen artists of eight different nationalities to explore the notion of landscape.

Presentation of the selected books for "The Most Beautiful Swiss Books" competition: 11 books on the 27 selected are published by JRP|Ringier.

Exhibition looking at the armature of the movement to think about the function of scores.

Benoit Platéus' book launch.

Second edition of the Biennal, curated by Ger Van Elk and David Perreau.

Exhibition focusing on Maciunas' ventures in architecture.

Exhibition / sale of artists' magazines curated by Lionel Bovier (director of JRP|Ringier's editions) for Art Basel, gathering different types of periodicals.

Solo show / four artists invited by Delphine Coindet (Elodie Amet, Vincent Beaurin, Sarah Charlesworth, François Kohler).

The paintings (close to 70 works) are organized by the artist according to the themes, rather than chronology.

The exhibition links recent collection acquisitions to older works of the migros museum für gegenwartskunst collection.

Peter Friedl returns to his long-standing interest in theatre and its aesthetics, which was the subject of a large number of essays he wrote in the early 1980s.

5 solo exhibitions: Fabien Giraud and Raphaël Siboni, Jonathan Monk, Arcangelo Sassolino, Daniel Firman, Christoph Büchel.

Ten artists from around the world transform the entire gallery in Psycho Buildings.

Specific installation.

Opening show: the exhibition discusses the question of the collective bodies in contemporary visual art considering the tight relationship with architecture and performance, gathering numerous works from the collection.

A celebration of the art object and a critical reflection on the manner by which it operates in the eyes of the art market (curated by Adam Carr).

A resonance board for a sophisticated discussion on the work of artists who have reflected in very different ways about Germany as a territory of history, art and society.

John Armleder délègue un projet d'exposition au décorateur français Jacques Garcia.