Feminism

Over a decade’s worth of essays: movies of America in parallax view.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

Thirty international artists, writers, and thinkers consider timely themes found in the work of Anicka Yi, including AI, umwelt, scent and taste, the anthropocene, decay and rot, the animal world, and feminism.

The first English translation of Alexandra Kollontai's "My Heart Belongs to the Finnish Poor", originally published as "Suomen köyhälistölle kuuluu sydämeni" by the Finnish Trade Union Federation in 1911. The essay is printed in 200 copies as a risographed poster.

The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.

Pisseurses brings together a series of oil pastel drawings and portraits of the artist and her comrades urinating outdoors in a variety of contexts. A brief science-fiction short story carries the whole into a utopian dimension that re-signifies the trivial act of miction.

A multilingual, feminist and original publication edited by Kulte Éditions in Morocco, TAMO, a journal where art, history and contemporary issues intertwine, unashamedly thinks, discusses, criticizes, promotes and denounces.

A study of new representations and denunciation of gender violence by women in contemporary photography.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

First monograph of the Brazilian feminist artist.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

An essay by Yoann Sarrat on two works by Jean-François Bory and Kathy Acker.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

Through a close examination of the political and aesthetic strategies that artist Ines Doujak employs in her work, this book explores the realities of the current economic, microbiological, and ecological crises.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

Itinéraires Fantômes is an oracle deck created by Alexandra Grant with Hélène Cixous in celebration of H. Cixous' work.

Parker and Pollock's seminal volume of feminist art history.

Multivocal and anonymous, A Strange Adventure is oral-history-as-theater—the theater of memory, trauma, and torture.

First comprehensive monograph: in-depth survey of İpek Duben's oeuvre spanning more than four decades.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

New approaches to Iannone's unique work.

This artist's book by Bea Schlingelhoff gathers together 366 capping phrases used for kōan practice.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.

A lesbian and queer re-reading of Albertine, a central character in Marcel Proust's In Search of Lost Time. A group show constructed as a portrait of lesbian identity.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

Kahlo/Modotti – Forty Years Later is the result of a visit by Laura Mulvey to the Department of Film Studies at the University of Zurich in November 2022. The booklet contains two texts: Mulvey's evening lecture at the Cabaret Voltaire, revisiting hers and Peter Wollen's exhibition and film on Frida Kahlo and Tina Modotti, and Wollen's 2003 essay on the phenomenon of "Fridamania."

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

First monograph.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

Reference monograph.

Reference monograph (also available in English edition).