ESSAYS
THE VALUE OF REFLECTION
It took five decades, but at last Joan Jonas has won the recognition she deserves for her intricate installations and videos. A pre-Venetian chronicle of the woman who held up the mirror — and refashioned art in the process
by Elisabeth Lebovici
ANCHOR SONG
Don't let MoMA's Björk fiasco mislead you; music has its place in the museum. How an art world beyond technical skill listens to Beethoven, and Beyoncé
by Zachary Woolfe
DECLARATION OF DEPENDENCE
Even the studio is no place to hide. Everyone knows everyone, everyone needs everyone; your relationships
are as Instagrammable, and as shudder-inducing, as an ice bucket dumped overhead
by Laura McLean-Ferris
INTERVIEWS
LUC TUYMANS
February 24, 2015, 2:00 p.m., in an office near the port of Antwerp
MARWA ARSANIOS
March 6, 2015, 1:15 p.m., in a hotel in downtown New York
REVIEWS
I. New York and Berlin have a shared currency: youth. On the city Reena Spaulings successfully infiltrated, and the other where she rents an Airbnb
by Karen Archey
II. The Brazilian art world, at last, reckons with the wages of colonialism and discrimination. Looking at the workers of Pernambuco in the lily-white galleries of São Paulo
by Silas Martí
III. Can an arts institution remain radical for five whole years? A short history of the most derelict house on the best block in New Delhi
by Jyoti Dhar
IV. Los Angeles: location, location, location. On
Pierre Huyghe and
Renée Green — contemporary acts of defiance against modernist architecture
by Travis Diehl
PORTFOLIO
The art of KEMANG WA LEHULERE, and a visit to Cape Town
