COVERS
Screenshot from a Zoom call between
Michael E. Smith and Luigi Alberto Cippini on March 8, 2024.
Mishima House, Tokyo, March 2024. Photographed by Ko Tsuchiya. Curtesy of
Flash Art.
John Winter's House, London, late 1960s. Courtesy and © C20 Society, from the Roger Emeric Archive.
Armature Globale, Bad Works, 2024. Courtesy of Amrature Globale.
Ari Diamond-Topelson. Reed Donaldson, William Madsen, and Maria Kuraeva photographed in front of SCI-Arc, Los Angeles, March 2024. Photography by Paulo Sutch. Courtesy of
Flash Art.
Limited edition of LC14 Tabouret Cabanon by
Le Corbusier. Making of. Commissioned by Cassina by Matthieu Blazy for Bottega Veneta. Courtesy of Bottega Veneta.
FEATURES
Preface from the Editor
Letter from the Guest Editor
Cover Story Harsh Free Jazz.
Michael E. Smith in Conversation with Luigi Alberto Cippini
Peter Fischli: Quality by Hugo Bausch Belbachir
Visual Essay Grmln by
Anne Imhof Accidental Composition. Paride Maria Calvia by Clem MacLeod
Bad Works by Armature Globale
Joshua Brinksman: I'm in Cornwall for fucksake by Armature Globale
Cover Story Mishima House: Anti Symphony by Sebastian Clark
Cover Story Winter House: London Gothic by Eliot Haworth
Trial and Error. Wolf dPrix in Conversation with Elias Bouyssy
Hopkins House: Notes on HT Architecture by Achille Filipponi and X_Ref
Bruce Graham Residence: A Matter of Proportion by Marie Stargala and Matthew Rosen
Cover Story Beyond Fashion by Octave Perrault
Cover Story Manufactured Innocence: A Roundtable with TWIST and Students from SCI-Arc. Manga Ngcobo and Sam Harding in Conversation with Ari Diamond-Topelson, Reed Donaldson, William Madsen, and Maria Kuraeva
The Met: Fly Higher. A Conversation between Michael Abel and Nile Greenberg
SCAD Museum of Art: Disrupting the White Cube by Janelle Zara
