A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory.

A selection of sculptural works and installations by a prestigious line-up of contemporary artists from across the globe (Alicja Kwade, Daniel Buren, Lee Ufan, Bertrand Lavier, Ugo Rondinone) on the Côte d'Azur, outside their usual exhibition context.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

A selection of Tanaami's Picasso's series.

A journey of invention and experimentation through more than 200 pieces by international artists, observing the diversity not only of forms and decorations, but also of manufacturing processes of ceramic.

A collective analysis of the emergence of the “contemporary” and the transnational and transhistorical logics at work in artistic practices in Dakar in response to questions raised by globalization since the Independances, opening up new territories for sociological, economic, political and aesthetic investigations.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

An anthology.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

Jean Laude's writings on art.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

PARIS LA #13 or CHEZ CHEZ PERV PERV has been especially created by the artists Gardar Eide Einarsson, Matias Faldbakken, and Oscar Tuazon.

Representation of pain in the art of the twentieth and twenty-first centuries.

Picasso in front of the TV: unexpected links between the media—especially television—and Picasso's work.

An anthology of Fontana's manifestos, texts and interviews.

An anthology of Fontana's manifestos, texts and interviews.

Special issue dedicated to painting.

Contemporary art and the French Riviera (a territory for experimentation).

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

A selection of unfavourable, violent, conformist, sceptic or narrow judgments on Picasso, published in French and international newspapers (Le Figaro, The Daily Mail, Les Lettres françaises, Life...) between 1917 and 1973.