A book and CD homage to the New Zealand-born American composer Annea Lockwood.

A newly unearthed recording of an interview between Sun Ra and composer, sound and intermedia artist and Fluxus associate Charlie Morrow recorded at his New York studio in 1989. This outstanding voice-only recording develops more like a kaleidoscopic sermon than any standard interview.

New expanded edition of an essential text for defining the thought of composer Pierre Henry (1927-2017): a musical biography in the sense of a diary and an autobiography in forty-two sequences that accompanied him in various forms between 1977 and 2005 (audio download link included).

The second in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music, featuring exclusive music from Kali Malone, Jessica Ekomane, Mats Erlandsson, Theodor Kentros, Wilma Hultén, and Maria W. Horn.

A series of flamboyant and exhilarating works by the Flemish painter, dedicated to his personal pantheon of the great female figures of History.

Writer Inge Bondi sheds fresh light on the life of her close friend and colleague, the Austrian American photographer Ernst Haas (1921–86), an early innovator in color photography, whom she first met in New York's Magnum offices in 1951.

Through powerful portraits and incredible surf scenes, Brown W. Cannon III's book NORTH chronicles the lives of surf people—and the community around them—along the North Shore of O'ahu, Hawaii.

The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music-video director Andrew Dosunmu: a sensual and kaleidoscopic celebration of the world's cultural diversity.

The American and Parisian photographer, member of Magnum Photos, known for his street and everyday life photographs taken on the spot, celebrates the public use of the written word through a series of images of graffiti and inscriptions on signs, clothing, banners, gravestones, etc., produced over more than 50 years.

The first monograph by Swedish-Greek-American photographer and artist Florence Montmare showcases images made in 2021–22 while traveling across the United States from east to west (and back), to meet the minorities who make up today's America.

A photographic tribute to the LGBTQ creative youth who is currently contributing to Mexican culture.

High Entertainment by David Robbins argues for a category of cultural production that combines the experimental ethos of art with the accessibility of entertainment.

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

"Woodwind Multiples" features four pieces for multiples of the same instrument: four bass flutes, nine oboes, nine clarinets, and seven bassoons. Each piece works closely with the unique sound of each instrument, combining pitches that create other, sometimes unexpected, tones, primarily combination and interference tones, as well as rhythmic patterns.

New monograph.

The restored and remastered vinyl reissue of a sound performance by American writer Kathy Acker and French noise/experimental band Nox, published in 1987, with a poster and a previously unpublished set of documents, letters, texts and photos.

Matching expansive ambience with environmental sound, Chihei Hatakeyama's new album continues Field Records' exploration of Japan and the Netherland's shared approach to water management.

The English translation of the work that established the Icelandic author's literary career—an exploration of eroticism in extremism.

An analysis of the true theoretical and commercial system developed by Michel Tapié de Céleyran (1909-1987), who invented his profession of art entrepreneur by combining several activities—art critic, editor, artistic advisor, broker and collector—, contributed to the international destiny of some 200 artists (including Dubuffet, Mathieu, Pollock, Tapiès, Saura, Fontana, and De Kooning) and was at the origin of "Informal Art".

Suspected of having been completely assimilated by the commercial industries, it is not so much against these that art must be defended as against a simplistic narrative imposed by a certain sociology of art. When one is finally interested in the artistic practices themselves, it becomes obvious that the art continues to resist: by its politics of the forms.

On the border between arts and surveillance studies, this book analyzes the technopolitical role of new "machines vision" and considers sousveillance as a democratic counter-power.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.

A collection of three new aesthetic essays, between the visual arts and literature, by Belgian philosopher and semiotician Herman Parret: a reflection on the "delicacy" in the various fields of sensoriality (the visible, the sound, the taste and the tactile)—a most suggestive reading for the construction or the development of a sensitive semiotics.

An interdisciplinary perspective upon Italian visual culture through the words of 37 artists active from 2000 to today.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

A poetic investigation on desire, love and masculinity in the form of a constellation of texts, drawings and photographs.

A poem built like a long love song to the wounded Aleppo, to all the Aleppo of the world.

A series of samples taken every April 24, for eighty-seven years, from the most diverse sources (press articles, television broadcasts, book and film releases, speeches...): a mass of information that makes, from the smallest to the most imperious, the history of a country.

The sequel, posthumous and almost completed, of the poem-fleuve initiated in 2020 by Jean-Luc Parant, which questions our being in the world with a freedom both new and timeless.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.

Two essays by Steven Feld, a leading figure in anthropology and sound studies, that challenge established acoustic perspectives and open up the exciting field of research-composition.

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).

Artist, photographer and filmmaker Aradhana Seth's photographic archive of painted signs in India: a visual itinerary through the historical-economic changes of Indian society over the years.

In this memoir, Harlem-born trumpeter Ahmed Abdullah recounts decades of national and international touring with the Sun Ra Arkestra and charts the rise of New York loft jazz scene, offering a fascinating portrait of advanced music in Brooklyn and lower Manhattan from the 1970s through the 1990s.

Pardon Façade documents the artistic output of Luca Monterastelli, showcasing almost all of the sculptures and installations that he produced between 2011 and 2022.

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

Spike #76, around the theme of artists' lives and careers.

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

This publication invites us on a journey to decipher the hidden predatory logic within the mechanisms of gold mining exploitation and the resulting socio-ecological devastation in the Guayana and Venezuela's Amazon regions.