Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

A collection of the artist's writings from 2019 to 2024.

Journalist Olivier Namias and photographer Luc Boegly combine their views of the work carried out between 1970 and 2008 by architect Jean-Patrick Fortin (a villa, a pharmacy and a townhouse) in the Italian commune of Caprino Veronese.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

The second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics), both stylistically cohesive and daringly uncompromising.

How AI can be used in the creative process in art and design.

This book recounts Jean-Jacques Lebel's long and tumultuous passage through the powerful laboratory of ideas and experiments of surrealism that was the journal Front Unique (1955-1960), which heralded and sometimes prefigured his future protean activities in the fields of art, poetry and militancy (anticolonial and libertarian).

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

Tribute to philosopher René Schérer (1922-2023), a great Charles Fourier specialist.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

This history of art collecting traces a multiplicity of aesthetic attitudes through the prism of certain key figures in the history of taste. Over the course of the chapters, we discover how art collecting reflects—or responds to—an individual's character.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

A philosophical reflection on the place of sound, from musical aesthetics to sound habitat, at the crossroads of sound, music and technology studies, and phenomenology.

To mark the centenary of Surrealism, this ephemeral journal, featuring 150 contemporary voices from literature, art, cinema, poetry, theater, and civil society, brings together over 200 unpublished contributions, responding to the surrealist enquiries.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry, looks at the cut.

The fifth issue of the annual graphic design journal, dedicated to image and print techniques.

Aboard the lifeboat Ocean Viking; Jérôme Ferrari; Quebec poetry; Florentina Holzinger; Corsican cinema; investigation in the Kodak factories...

Kiki Jones; Fady Joudah; Mica Levi; Pascale Ciapp; Kasper T. Toeplitz; Graham Lambkin; Risaripa; Steve Albini; David Grubbs; DASDAS...

Richard Serra (1938-2024), textile art, "Meiji Modern: Fifty Years of New Japan", "Foreigners Everywhere"...

Co-editor: Zane Cerpina; interviews with Boris Eldagsen, Martinus Suijkerbuijk, Maya Man, Molly Soda; Transmediale 2024; REBOOT: Pioneering Digital Art...

The first volume published by Amsterdam-based Hartwig Art Foundation, COURTPLAY constitutes the book counterpart to the eponymous event conceived by Mohamed Almusibli and Ivan Cheng, and presented in January 2024 at the former courthouse of Amsterdam, the location of the foundation's forthcoming museum.

The first monograph dedicated to the ceramic works of Anaïs Lelièvre.

Siôn Parkinson's first, non-fiction book, inspired by his research into sound and smell (particularly "bad" smells) imagined through the figure of the stinkhorn mushroom and his passion for the fungal world more broadly.

First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.

Through a close examination of the political and aesthetic strategies that artist Ines Doujak employs in her work, this book explores the realities of the current economic, microbiological, and ecological crises.

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse? In 1981, Richard Sennett delivered six lectures about this relationship, and issued a call to action that remains relevant today.

An essay-length book arguing for the autonomy of art in the present.

Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.

16 international sound artists and musicians explore the materiality, spatiality, technicality and diverse cultural, social and political forms of sound, questionning the relationship between improvisation and composition, between performance and installation, etc.

Logorrhea is an artist book focusing on the written word in Jean-Michel Wicker's work. It is a large and lighter-than-air paperback, the author's third void.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

A first major monograph on Thierry Fournier's practice, French visual artist, with an extensive documentation of many recent works and a collection of texts and interviews.

With Postproduction, the third and final issue of In Medias Res, Fluentum's research project on the history of its premises concludes by literally taking stock of both the production of and productivity inherent in moving images.

A monograph presenting selected works from the first ten years of the Danish artist's career, 2013 to 2023.

First monograph.

Published on the occasion of the eponymous solo exhibition of the Greek artist Vasilis Papageorgiou at Salzburger Kunstverein, Sunseekers or Dimming the Sun or invites contemplation on capitalist systems of pleasure and the tourism industry.

A book based on Conrad Shawcross's largest UK exhibition to date and four interdisciplinary conferences, between sculpture, mathematics, quantum physics and philosophy.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

The collection of Francis Meyer, one of the finest private collections in Europe of Art Nouveau glass works.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.