A reexamination of the role of female avant-gardes in the fields of performance and dance: a comprehensive publication with over 2500 color illustrations, together with documentary material on Valentine de Saint-Point, Marinetti, Futurism, Canudo, Russian Ballets, German and American expressionism (original photographs, manuscript letters, drawings, woodcuts, manifestos, first editions and ephemera).

Essay.

An exploration of the relationship between artistic creation and industrial production, between the artist and his material.

New perspectives on Marguerite Duras' cinematographic works and a young generation of videographers / filmmakers.

Seven artists (the duo Art Orienté Objet, Amy Balkin, Gilles Bruni, Seamus Farrell, Romain Pellas, and Akira Sunrise) explore the issues of the ecological crisis and how humanity is endangering itself, from a reflection on the territory of the bucolic valley of the Lot in France.

First major monograph devoted to the Swiss artist: a retrospective of Pierre Vadi's work and exhibitions over fifteen years, with three essays.

A complete survey of performance arts in Latin America and Asia today.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.

La bouillabaisse: a world tour of recipes.

A narrative divided in 28 chapters, each made up of one long sentence. A violent confrontation between the abstraction of the language and the subject dealing with pornography.

Tristan Trémeau investigates the institutional and market developments in the art word, and calls for the regeneration of art criticism.

Poetess Vannina Maestri presents A Stazzona, a theater place conceived by Jean-Michel Battesti and Dominique Villa in the Corsican town of Pioggiola.

This publication gathers a collection of twenty texts together with a selection of archives and photographs which examine the literary and artistic representations of the banquet.

An investigation into Eduardo Kac's practice in 50 questions asked by digital art historian Dominique Moulon.

The French and Belgian public collections of drawings.

First monograph: thirteen projects conducted by French artist Lidwine Prolonge over the past five years, between literature, film, installations and performances.

A set of contributions (archive texts, essays, literary texts, iconographic analysis, art works, interviews ...) by over thirty authors, scholars, writers, journalists, artists, Westerners, Middle Easterners, Jews, Muslims, Christians, atheists, to explore the complexities of contemporary Middle Eastern reality.

Two both aesthetic and political engaged considerations on the relationship between the West and the Middle East (or more generally between the West and its others), from the figures of exile and the two cultures: three unpublished interviews of Edward W. Said / a deconstruction of a common European view on the Arab world by Seloua Luste Boulbina.

Reference monograph, with two essays and an interview with the artist.

50 years of “media arts”.

A text on the need of love communication, through the story of a narrator who strives to learn music on a keyboard drawn on a cardboard piece.

This catalogue brings together a series of photographs by painter Suzanne Strassmann in which she deals with the specific codes of the art world and plays with the ambiguity of the interactions between artworks, art professionals, and the public.

Thirteen texts (including an unpublished essay by Georges Didi-Huberman) to think art and history together, from the tools developed by the theorist of the future of images.

A series of portraits of philosophers remained outside majority movements of contemporary thought (Gabriel Tarde, William James, Alfred North Whitehead, John Dewey, Charles Péguy, Etienne Souriau, Raymond Ruyer, and Gilbert Simondon), brought together around the theme of the “possession”.

First major monograph in French, fully illustrated, devoted to the key figure of Joseph Beuys, revealing the aesthetic ambition and political issues through a genealogy that retraces a whole part of the XXth century.

Catalogue raisonné / first monograph of a key figure in the art scene since the late 1980s, this luxurious book (designed by M/M), lavishly illustrated, documents the whole Pierre Joseph's oeuvre, from the first group shows to most recent works.

A pioneering and masterly study of the history of art markets in Italy (covering the fields of painting and scultpure, but also architecture, applied arts and performing arts), which demonstrates the possibility of an economic history of art linking social or political mechanisms and symbolic or patrimonial issues.

Examining the 21st century's identity crisis.

Landers' early oeuvre.

A retrospective of Damien Cabanes' paintings, sculptures and installations, with 150 illustrations and two essays.

13 oils on canvas by Swiss artist.

Focused on a series of exhibitions entitled The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.

Inaugurating the On the Table series, that explore the encounter between food and art, Three Banquets for a Queen recounts the spectacular feasts that greeted Queen Christina of Sweden in Rome in 1668

First monograph dedicated to Korean artist's paintings.

First monograph dedicated to the young French artist's “sculpture at work”,, as fragile as spectacular, with an interview.

First comprehensive monograph dedicated to Canadian artist (photography, video and sculpture), with about 250 images, five essays and an interview.

Reference monograph.

A confrontation of the works of Marx, Freud, and Lacan.

First monograph on French artist-photographer Natacha Lesueur who develops a very coherent and personal work on the themes of the body, food, and the photographic image itself: a complete overview of a work both uncanny, disturbing and attractive, because seductive.

An exhaustive documentation of Pierre Keller's work and trajectory.

Exhibition catalogue.

Reference monograph, including most of Mai-Thu Perret's projects so far, introduced by short captions she has written, as well as newly commissioned essays by Elisabeth Lebovici and Diedrich Diederichsen.

First photographic monograph, including newly commissioned essays by Joerg Bader, Nicolas Buri, Philippe Cuénat, Emmanuel Grandjean, and Gauthier Huber.

Exhibition catalogue.

Monograph (paintings and drawings).