A raw, powerful and disjunctive pamphlet against our civilization, followed by the author's self-portrait.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

Artist's book.

A complete record.

The manifesto of the network of contemporary art centers.

The role of history and commemoration in Germany today.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

First monograph.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

Limited edition accompanied by an original and unique signed artwork, hand colored comic strip box.

Willem's satirical drawings on art.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

Rethinking public space.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia.

Minimalist progressive lofi techno tracks by MACON (Nicolas Murer) for a series of exhibitions by visual artist Lili Reynaud-Dewar.

As much adventure novel as catalogue raisonné, this book tells the fabulous pedagogical and artistic experience of the studio Pensée nomade, chose imprimée (Nomadic thought, Printed matter) led from 1989 to 2013 at the Bordeaux School of Fine Arts in France by Michel Aphesbero & Danielle Colomine (4taxis), and Jean Calens.

First monograph, with an essay by Jacqueline Burckhardt.

The second issue of the magazine published by Optical Sound, between experimental music and contemporary art.

Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology.

Collection of poems bringing together French authors on the fringes of literary trends, past and present. Under the supervision of François Dominique and Bruno Lemoine. This edition includes a DVD of video-poems by Isabelle Filleul de Brohy.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

Artist's book.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

An innovative analysis of our relationship to the image.

New monograph.

New monograph (available in English edition).

New monograph.

This publication traces two years of a project dedicated to the concept of drift, with theoretical texts, artists' contributions and contributions from educational projects, workshops and exhibitions.

The history and posterity of François Mathey (1917-1993), a singular curator with the destiny of a romantic hero, a major figure in the promotion of contemporary art and a pioneer of artistic heritage.

Mendini's writings 1972-2011.

A collection of recent colored pencil drawings by artist Keegan McHargue.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

The chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art.

This book brings together the documentation of seven installations, produced by Corin Hewitt from 2007 up to the 2013, including preparatory sketches, process shots, exhibition documentation, and discrete photographic works. This visual mass helps understand Hewitt's practice as a continuum of interconnected actions and materializations, instances of generative discovery and contextual play.

A critical approach to practices of photographic representation and information.

An experimental novel written by two powerful voices of French experimental poetry. With illustrations by Charles Pennequin.

The art/research articulation.

Catalogue of the main contemporary exhibition at HOK in 2014.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense (available in English edition).