A collection of essays exploring the current contemporary art scene through the analysis of the works of ten artistic figures of the present days.

An history of assemblage art in California from 1950 to 1970.

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

New expanded edition of a major text by the American choreographer-dancer.

Edgar Degas and the rediscovery of monotyping in the 19th century.

A story of the Grévin wax museum in Paris from 1881 to 1921.

An essay conceived as an intellectual portrait of the German writer, psychologist and art theorist Karl Philipp Moritz, whose purpose is to investigate the relationships between aesthetics, psychology and anthropology in the second half of the 18th century, and the importance of their simultaneous development for the debates about art after 1800.

Rereading L'Origine du monde and the relationship between Gustave Courbet and James Whistler.

The first French translation of Yve-Alain Bois' reference study on modernism

Somewhere in between a magazine issue, an artist's book and a research report, this Kaleidoscope Asia Special edition with guest-editor Simon Denny revolves around a new project by the New Zealand artist set in the Chinese city of Shenzhen.

New monograph: a collection of 352 watercolors made since 2006 by the painter on the theme of industrial landscapes.

Publication gathering an extensive selection of drawings produced by the German artist since the mid-nineties.

The hundred or so drawings gathered in this monograph provide an intimate glance into the work of Martial Raysse, making available for the general public a body of work that has been little known until now. With an introduction by Anaël Pigeat.

Fanzine-like artist's book gathering historical anecdotes on modern print culture.

Photographic series dedicated to pareidolia—the phenomenon of perceiving non-existing things in inanimate objects, such as human faces or animal heads in rocks (artist's book).

7759 – Bodies, Logistics, and Labor is a collective collection of essays which also includes two photographic works by Stefan Burger. The publication examines the notions of surplus value, logistics and globalization, in the framework of a case study on the self-managed dockers from Genoa.

Catalogue of the 16th Art Quadriennale—the exhibition that brings together in an in-depth and articulated manner, the artistic and cultural production of Italy after 2000. The publication includes a photographic documentation revealing the 150 works on display, a glossary, and bibliographical notes.

Photographic appendix to the eponymous catalogue covering the 16th Art Quadriennale. It completes the documentation with images of the installed works and performances.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

Interviews with Dominique Grimaud by Philippe Robert, and Noël Akchoté by Kasper T. Toeplitz; Jérôme Noetinger; the Japanese musical scene by Jacques Debout and Michel Henritzi, visual contribution by Marie Combe, tribute to Bobby Bradford, Fred Van Hove by Gérard Rouy, Italy and the work of Attila & Jacopo Faravelli by Jean-Kristoff Camps…

Spike #51 raises the question of the social role of art, and many more, with: Grzegorz Kowalski; Bob Flanagan's Visiting Hours; Angela Bulloch on Damien Hirst; Cyprien Gaillard's Desniansky Raion; a roundtable with Chus Martínez, Michaela Meise and Dieter Lesage; Dorothea Von Hantelmann; Kenny Schachter; Daniel Baumann; the portraits of Dorothy Iannone, Tetsumi Kudo, and Marie Angeletti; an interview with Josef Strau; an essay by Jan Verwoert; the TV series The Crown; Andrew Berardini on Jimmie Durham's retrospective in LA…

Anne Pontégnie on Daan van Golden; Sérgio B. Martins on Ferreira Gullar; Documenta 14; Christo & Jeanne-Claude's Running Fence; Alex Schweder and Ward Shelley's ReActor; exhibition history: Hans Haacke in Frankfurt, 1976; Top Ten by Sol Calero; Omar Kholeif on Nil Yalter's Le Chevalier d'Éon; the art of Michael Williams; reviews from Francis Picabia and Raymond Pettibon's exhibitions in New York, and more.

Providing an important platform for new and ambitious work from the Middle East, North Africa, and South Asia, the ninth installment of the Abraaj Group Art Prize features "seepage/ritual," an exhibition with the work of winner Rana Begum and the three short-listed artists: Sarah Abu Abdallah, Doa Aly, and Raha Raissnia.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

The 4th album of Babils—an atypical six members Brussels underground band, mixing rock, new wave, psyche, kraut, experimental and repetitive music. Ji Ameeto is the first recording without the late Michel Duyck.

The drawing tools, Richard Tuttle, Karina Bisch, Hugo Daniel, Gerard Ter Borch Le Jeune, Bianca Argimon, Mïrka Lugosi, Catharina van Eetvelde, Cameron Jamie, la collection du Musée Atger, selection of books by Brett Littman, FANFICTION 93, Anthea Lubat, Amélie Lucas-Gary and Maude Marris, Bianca Argimon...

This issue dedicated to documenta 14 addresses themes, artists, and projects spanning between Athens and Kassel. Including: Moyra Davey by Quinn Latimer; Vivian Suter & Elisabeth Sussman; Roee Rosen; “Preliminary notes for a Black manifesto” by Rasheed Araeen; Khvay Samnang “; The Globalised Museum?” by Bonaventure Soh Bejeng Ndikung; articles by Kirsty Bell, Irena Haiduk, Pierre Bal-Blanc, Neni Panourgiá, Dieter Roelstraete, and more.

This large-format artist's book (40 x 40 cm open) brings together graphic works by Claudia Comte. Mathematically structured like a Cartesian coordinate system, the publication folds and unfolds so that it can be read in four different ways. The book becomes a geometric play space in which to discover the many facets of Comte's visual identity.

Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Original soundtrack of the eponymous “musicfilmdream”, in collaboration with video artist Makino Takashi. Created in tribute to late filmmaker Derek Jarman, this musical score was influenced by the early electronic recordings of pioneers like Terry Riley and Morton Feldman. The two artists first presented this work during the 2016 BFI London Film Festival.

This issue dedicated to Jamaican music studies presents and analyses the main characteristic features of these musical forms—from riddims to sound systems—and their associated issues—from culture to slackness. The publication features nine articles and twelve book reviews written by leading world experts (including 7 Jamaican researchers). Watch out Babylon!

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

9th issue of the art and research magazine is dedicated to Pierre Klossowski.

This catalogue documents two exhibitions by Xavier Antin inspired by William Morris' anticipation novel News from Nowhere. The French artist draws from the thinking of The Arts & Crafts movement's inspirer to provide a reflection on the mutations of craftsmanship and design.

Common sense: a philosophical investigation (after Alfred North Whitehead).

This historical essay assesses the impact of Dadaist ballet Relâches on the French artistic community by restoring the historical context that has transformed the collaboration of Picabia, Satie and Börlin into a unique event in the history of dance and performance.

African American women and literature; artistic activism in Cuba; Ouagadougou Dance triennial; interviews with Oiseaux-Tempête, Milo Rau, Luc Boltanski & Arnaud Esquerre; portraits of Morehshin Allahyari and (La) Horde; postpunk legend This Heat; theater without comedians; Clarisse Hahn & Mohamed Bourouissa; portfolio by Théo Renaut & Alicia Tréminio…

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection.

A large collection of drawings (nearly 500 pages) documenting the artist's trip from Zurich to Japan through Siberia—with a special focus on books and trees.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

Series of collages based on guitar patterns found in album covers.

Eight slogans from the May 68 events in France, in duplex printing (artist's book).

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Sur #03 takes as its starting point the connections between architectural critic Esther McCoy and the city of Mexico. This edition features issues 56 and 57 of BLESS collective lookbooks.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.