This publication gathers drawings, paintings and silkscreens, as well as references to readings that nourish both Atelier McClane's reflection and editorial work. All of that constitutes a reflexive system about their practice.

A series of 26 prints of lithographic stones, reflecting on Ed Ruscha's work (artist's book).

Radio recordings from 3 GHz to 30 KHz: a record that invites the listener to discover the electromagnetic landscapes that surround us.

A multi-octave delirium by Chris Abrahams and Anthony Pateras, at the summit of sonic density.

An hour-long percussion sextet featuring the instrumentation from Xenakis' Pleïades.

21st century piano music (the first solo piano album by Anthony Pateras in 10 years, marking the mid-point of the Immediata series).

A single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes.

An important work by American artist Mel Bochner yet strangely it remains little-known.

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

A concrete symphony (a journey between a public sphere—passing trains, passers-by in the street, a construction site— and the intimate relations that a composer can have with an electronic machine or software).

Similar to a travel diary, sprinkled with tropes of paradisiacal holidays, Dos Imperial interweaves the work of an artist, Bruno Aeberli, a graphic designer, Pauline Piguet, and a writer, Simon Dubois.

This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music.

A collection of texts from a series of screenings, lectures, exhibitions and meetings on Palestine organized by the Mucem, Marseille, in 2017.

The book contains largely unseen photos from Jamie McLeod's 20-year-old archive, working with Almond as his muse, patron and friend.

This book displays the unseen early artworks from Loulou Picasso while he was in art school till the begining of Bazooka in 1976. It also includes some collaboration with Olivia Clavel and Romain Slocombe. Foreword by Genesis P-Orridge.

A complete survey of performance arts between Canada, Peru, Taiwan, Portugal, Germany, and Slovakia.

A dense and enlightening analysis of the “signature” and the development of the story of Marcel Duchamp's Fountain in its historical integration.

A series of sculptures set in a roofless exhibition space in Merida, Mexico.

In (ZUS), a visual essay by the French photographer Benoît Fougeirol, views of and views from eleven of the “Zones urbaines sensibles” (Sensitive Urban Zones) on the peripheries of Paris reveal harsh paradoxes of modern society. The series is accompanied by a text by author Jean-Christophe Bailly.

This collaborative artist's book is a work of fiction set in a Kafkaesque world where creativity is a criminal offence and artists are imprisonned. Alexandra Grant's text, the testimony of the prison's warden, is powerfully illustrated by Eve Wood's drawings.

Notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts.

Issue of the Cahiers du Centre Dürrenmatt Neuchâtel dedicated to French artist Jean-Christophe Norman with essays by Jean-Michel Espitallier, Patrice Joly, Frank Smith, Ulrich Weber, and an original work by Norman inspired by Swiss writer Friedrich Dürrenmatt's library.

With this collage book Polish artist Olga Lewicka draws an illuminating parallel between the visual and cultural history of clouds and the historical development and structures of capitalist and neo-liberal society.

A collection of misprinted sheets originating from books designed by graphic designer Manuel Raeder: a “behind the scene” project, which documents the early stage of book production and its conventions.

Influential musician Andrew Liles releases a dark and fantastic literary work relating to childhood and sufferings, illustrated with six images and a sound piece.

The second issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine includes documents on Trevor Wishart, Denis Dufour, Hém-Ish, Ione, Broutin, François Poyet, Johannes Kreidler, Gil J Wolman at work, a film by Frédéric Acquaviva on the late Pauline Oliveros, Silva Gabriela Béju on Henri Chopin and the magazine OU, a set of posters and postcards…

Collage-book from vintage strip-tease magazines.

A radical reading of the Spanish city of Valencia, drawing on the works of urban ecology pioneer Patrick Geddes.

The best of 2016: Seventeen distinguished contributors consider the year in art; “The Artists' Artists,” reflections of the most striking single work, event or exhibition of 2016; Top Tens on the best in film, music, books, and performance from John Waters, Angel Olsen, and Terry Castle, and a special section on “The Year In Shock.”

French artist Raphaëlle Paupert-Borne summons the myth of Demeter in an epic film shot in the Mediterranean city of La Ciotat. This edition also features a short documentary on a series of drawings made by the artist in Algeria, and an accompanying book which includes texts by specialists, film captions and sketches.

Limited edition of the notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts, and an original work, numbered and signed, printed on various formats (1920's coal mining register, books pages, card stock).

A literary and philosophic exploration of the various states of sleep. Embark upon a dreamlike path to the heart of sleep through the reading of four texts by Michel Butor, Clément Rosset, Pierre Pachet and Jean-Luc Nancy, and a series of sleepers.

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

Reference monograph (also available in English).

A collection of recordings from 1987 to 2013 by German experimental band Argo. The double vinyl LP features mostly live performances overviewing the work of the trio (violin, viola, clarinet) around the notion of transient music.

This publication collects black and white photographs taken at apartment viewings in Berlin, London and Zürich in 2015. The images render a landscape of apartments, mostly empty, punctuated by potential buyers or renters projecting their own possible futures onto the spaces.

Photographic companion book to the film La controfigura (“The stand-in”) by Rä di Martino: the tale of a cinema troupe in Marrakech trying to shoot the remake of The Swimmer, the 1968 film with Burt Lancaster, based on a short story of the same name by John Cheever.

First QR-Code EP, edition of 100 copies, recorded at EMS, Stockholm, December 2015, with the voices of Frédéric Acquaviva and Loré Lixenberg.

The Punk Scene in France: Forty Years of History.

This publication offers new insights into the broad and differentiated spectrum of functions images could assume in political contexts in those areas dominated by the Portuguese in early modern times. How were objects and artifacts staged and handled to generate new layers of meaning and visualize political ideas and concepts? And what were the respective reasons, means, and effects of the visualization of Portuguese power and politics?

This Flipbook by Michalis Pichler is a reformulation of the artist's film Une Seconde d'Éternité (d'après un idée de Charles Baudelaire) by Marcel Broodthaers (8mm film, b/w, 1 sec.).

Monograph featuring series of paintings made by the French-American artist between 2013 and 2016 and based from photographic documents originating mainly from sexploitation films of the 1960s. The volume also includes two essays and exhibitions views.