A collection of selected images and conversations from the artist collective GCC's five-year WhatsApp archive.

Set behind the scenes of Badlands Unlimited, an artist-run, New York-based publishing company, this three- act play follows the characters as they launch an erotic novella, deal with internal conflicts, and imagine the promise and threat of technology between the pages and in our lives. Badlands Unlimited is a comedy of errors that morphs into a deeper meditation on art and mortality.

Edgar Varese, Francois Tusques, Tristan Tzara, Thomas Bonvalet, Nick Cave, interview with saxophonist Harutaka Mochizuki by Guillaume Belhomme, 90 book and music reviews.

Publication reflecting on the work of contemporary artists who explore the collision between the digital and physical worlds. These artists take a step back, using decontextualization, rematerialization and displacement tactics to examine the future of our world. Through a collection of interviews with and essays by artists and theoreticians, this book develops the reflections generated during the eponymous exhibition.

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

An essay on Adolfo Bioy Casares' novel.

What roles and functions does type play in design? How does it relate to the meanings of type inherited from other knowledge disciplines?

A series of wood carvings by Peter Schuyff, reproduced on a scale of 1:10, alongside a short sorry by Arthur Miller staging the relationship between man and beaver.

New monograph.

Artforum invited a group of writers, scholars, and activists—Adrian Piper, Michelle M. Wright, Charles W. Mills, J. M. Bernstein, Boaventura de Sousa Santos, MTL Collective and Jasbir K. Puar, and Sarah Nicole Prickett—to consider where, who, and when is Enlightenment; a series of essays on the late David Wojnarowicz + transcripts of the artist's audio diary and a portfolio of rare images; interview with Renzo Piano; Texas Isaiah; Michael Pareköwhai; Eugene Jarecki's The King; reviews from New York, Paris, São Paulo, New Delhi…

The use of the “Other Body” in Performance art and Contemporary Art.

Art Basel's 2017 official annual publication.

A visual tour de force (artist's book).

This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.

This first monograph gives compelling insight into Nicholson's diverse material approach, political practice, and historical context.

Facsimile edition of a 1971 small sketchbook by a major painter of the lyrical abstraction, made during one of his many travels in Norway.

A study on the structural continuity in Alberto Giacometti's work, beyond the formal rupture engaged after his surrealist period.

Issue #27 of Palais is devoted to the exhibition “Another banana day for the dream-fish” at the Palais de Tokyo (June-September 2018). This exhibition brings together the works of some thirty artists and craftsmen on the theme of childhood fantasy.

A panorama of Latin American art collections in Southern California.

Sebastián Diáz Morales films and videos show that reality is nothing more than a figment of the imagination. Every figure and every narrative in them is a metaphor for the boundary between reality and fiction. This catalogue documents three recents video works by the Argentinian artist.

A collection of 11 poems printed on single sheets that can be used as page markers to interrupt whatever else you are reading. Each poem is based on descriptions of natural phenomena, to talk about everyday situations of human social behavior.

Catalogue documenting an eponymous exhibition of neon sculptures by artist Warren Neidich. These installations aim to examine the rise of cognitive capitalism in the 21st century while affirming art as a political weapon against it.

Drawing on an eponymous collective art project, this publication gathers essays by pluridisciplinary writers discussing regimes of power and normalisation integrated in urban and rural landscapes.

This publication catalogues the trajectory of a cycle of performances of the same name, through which the artist attempted to exhaust his interest in the Guatemalan Civil War as a recurring subject of his work. It documents the six performances in the cycle via foldout colour posters of each work, and an essay by Frédérique Bergholtz and Susan Gibb.

Acclaimed for his dark depiction of the American suburbs, painter Eric Fischl sometimes positions artworks within his compositions as symbolic elements. This thematic catalogue brings them together, including more than 120 painting reproductions, and an interview with the artist by Dallas Contemporary Museum director Peter Doroshenko.

This publication by photographer Giovanna Silva and writer Peter Fröeberg Idling retraces the history of Cambodia, creating a fictional and personal story that looks at the country through the eyes of the two authors. Today's Phnom Penh cityscape photographs take on a singular dimension in comparison to the ruins of Khmer temples, with a sense of emptiness and abandonment that resonates with the invasion of Phnom Penh by the Khmer Rouge in 1975.

First monograph dedicated to the Polish visual artist, designed in close cooperation with graphic designer Krzysztof Pyda, and focusing mostly on Łakomy's sculptures and installations (texts by Jakub Bąk, Martha Kirszenbaum, and Chris Sharp).

This publication by the French artiste focuses on his work with color. It gathers a series of 41 photographs, along with texts by Claire Moulène and Mick Peters.

This catalogue presents a series of vases produced by designer Matali Crasset during a residence at the national porcelain manufactory of Sèvres, in France. The publication gathers 3 notebooks, printed on 3 different papers, including Polaroids of vases photographed by Julien Carreyn, drawings by Crasset and miscellaneous documents.

This monograph is a photographic record of the interiors of the Palais des Nations in Geneva, before its renovation. The work of François Vermot is the last visual testimony of this labyrinthine building with authoritarian architecture. Built in the 1930s, the Palace was the headquarters of the League of Nations, and then became the European center of the United Nations.

Photographer Olivier Degorce brings together a series of fridge photographs shot from 1993 to 2017: Beyond the obsessive nature of the project lies the sheer diversity of individual eating habits in the form of contemporary still lifes.

This publication gathers a series of snapshots of domestic and exotic animals, mostly taken at night by automatically triggered “camera traps”.

Luciano Rigolini gives a minimalist reinterpretation of photo shoots produced by NASA astronauts during the lunar landing missions Apollo 15 and Apollo 16.

Through photographic documentation and essay, Altar documents the widespread human urge to elevate secular things to the status of “ritual objects” and combine them to form private altars. Whether they're dust catchers, knickknacks, souvenirs, found objects, meaningful artworks or earnestly and deeply revered objects, they all tell a peculiar story—not in words, but in things—about whoever built the altar.

The first overview on the work of Italian artist Alessandro Piangiamore, with commissioned texts, a comprehensive portfolio of artworks, and the artist's visual references. All the repertoire of Piangiamore speaks of his need to conceive form as something that's open and mutual, and sculptures as objects capable of revealing an absence, a negative trace of that constant passage of state.

A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life.

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

This publication explores the fascinating world of Franco-Swedish artist Rebecka Tollens: Inspired by her own dreams, these lead pencil drawings conjure a troubled atmosphere intermingling themes of Nordic mysticism, sorority and childhood. The publication highlights a series devoted to the Sami people from the Far North.

This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabecedaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice.

This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabécédaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice.

Bouchra Khalili's films, video installations, photographs and silkscreen prints suggest civic platforms, from which members of minorities perform their strategies of resistance to arbitrary power. This catalogue dedicated to the French-Moroccan artist spans ten years of creation.

After a meteorite crashes into his yard, the daily life of Rockabilly and of his neighbors takes a strange turn… Mike Wilson's third novel combines social criticism and science fiction, depicting the dark corners of American suburbs at night.

Climate change and land art in the American West; restoring the Lo Manthang temples in Nepal; Museums and the logic of social media; interviews with Torbjørn Rødland, Jason Moran; fashion designer Martin Margiela celebrated in two Parisian exhibitions; on Brazilian women artists; portfolio by photographer Wiktoria Wojciechowska…

Space as a privileged place to think and question our place in the world.

This issue is about the return of the family in neoliberalism, the influence of the political right on the arts, about #metoo, indie and Édouard Glissant, about young rappers and life in the commune. With Otto Muehl, Sandra Mujinga, Christoph Schlingensief, Anselm Franke, Aria Dean, Yewande Omotoso, Alison Gingeras, Seth Meyers, Liam Gillick, Dean Kissick, Alice Creischer, and many more.

This publication revives the fascinating adventure of Pierre Keller's invention and dissemination of the “Kilo-Art,” the “Swiss standard for art measurement.” For the two years 1972 and 1973, the young artist—now a key figure of the contemporary artistic and pedagogical scene in Switzerland—dedicated his life to what he called “conceptual art with realization.”