A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

A very cinematic improvised instrumental session by Thierry Müller (Ilitch) and Quentin Rollet.

Analyzing the theoretical and aesthetic thought of the founder of Lettrism in the intellectual context of the post-war and up to 1968.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

Kiev, refuge of Donbass artists; the spoken-word scene in London; the Choreographic Coding Labs; Porto's artistic scene; interview with Roger Ballen; electro music artist Actress; writer Charles Robinson; Charlemagne Palestine; autopilot and creation; Europe, mon Amour, by the Birgit Ensemble; portfolio by Richard J.Butler and Harvey Benge.

An examination of various forms of aesthetic practice seen through the lens of the neoliberal cultural revolution.

This publication both documents and extends Martin Beck's cycle of exhibition and residency at the Carpenter Center for the Visual Arts in Harvard. This two-year long project focused on the exhibition histories and academic pursuits of the Carpenter Center, built in 1963 by Le Corbusier.

Merlin Carpenter investigates the status of the midcareer artist with a conceptual project involving the exhibition of transit blankets. The publication documents these works and related gallery shows, in addition with texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt.

This collaborative journey between Brazilian artist Ernesto Neto and members from the Huni Kuin indigenous communities brings to the fore the concept of “ancestral futures” and extends the concerns that have been evident in Neto's oeuvre over the past 20 years: a celebration of the sensuality of being, the unity of bodies and nature, and a longing for spiritual vision.

Mexican conceptual artist Mario García Torres examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return, in a series of works that reflect on the European migrant crisis.

The Rough Law of Gardens documents Olaf Holzapfel and Nahum Tevet's eponymous joint exhibition and explores the intergenerational differences between two unique artists. Both artists' work rejects the global logic of growth and traverses the bounds of sculpture and painting: each of their practices involves ideas to do with materiality, learning, and memory.

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

Documenting a six-month residence at Fogo Island Arts, Tones highlights the diversity of Leciejewski's practice—with works including collages, photographs, and found-objects sculptures—while bringing to the fore the artist's views on nature.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

In this new book time and space, which are fundamental aspects of Arena's work, are encapsulated in six horizons, six roads and ten landscapes. Essays by Mario Fortunato and Andrea Viliani, together with statements written by Arena himself on each work here published, examine in depth the practice of one of the most interesting artists in the Italian and International artistic scenes.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

A comprehensive and focused reader on Wilkinson's output and documents the Glasgow-based artist's practice spanning from 2015 to 2010, including six exhibitions and works produced within that time period, in reversed chronological order.

Taking as their starting point Susan Sontag's book On Photography (1977), Marcelline Delbecq and Ellie Ga embarked on a long-term words-and-images dialogue addressing films, books and artworks that have marked their individual trajectories, together with historical events related (or not) to the year 1977.

This publication documents a work by David Horvitz made on the occasion of a Bas Jan Ader-themed exhibition in Holland in 2012. Annoyed by the curators, Horvitz literally disappeared one month before the show, leaving all his belongings and quitting social media. He returned on the exhibition's closing day, and explained his piece to the curators.

Taking the form of light and acoustic installations, video projections, slide shows, publications and photographs, the work of Meris Angioletti questions the mechanisms of perception, memory and the psyche. This first monograph devoted to the Italian artist presents an overview of her practice from the past ten years.

This artist's book reactivates a press controversy which took place in 1970s London and affected the Tate Galleries' collecting strategies—in particular, the acquisition of Equivalent VIII, a work by minimalist artist Carl Andre made in firebrick.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

Billy and her sister Betty live in a futuristic American suburban society obsessed with sex. A series of “disturbing” events will change their lives into a grotesque comic novel… Published in 1968 by Grove Press, Billy & Betty is a biting satire of the American way of life, somewhere between Burgess, Calaferte or the Monty Pythons, and a cult object that inspired Nurse with Wound.

Artist book whose title embodies the aesthetical research led by Arthur Fouray on the shift between painting and the cinematographic experience. The publication alternates a series of painting/serigraphy on cushions and textual and typographical experimentation.

Researcher Juliette Volcler on sound in public space; on identities and influences in music; an essay by Kasper Toeplitz; carte blanche to Patrick Renaud; Summer festivals, disc reviews, and more.

10 exhibition reviews, 7 interviews, 10 exhibitions in pictures, some artists special projects, and the chronicles (Raymond Pettibon, Herzog & de Meuron, Wade Guyton, Bruno Serralongue, Richard Phillips, Suzanne Koller, Bruno Gironcoli, Joe Bradley, Bertrand Lavier, John Currin, Marina Faust…).

Special anniversary edition, featuring 50 monographic stories from the magazine's past issues, in addition to a 30+page commissioned project by conceptual artist Martine Syms.

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

First survey monograph: hovering between painting, sculpture, and installation, Comte's works are based on references to popular culture—including cartoons as well as vernacular handicrafts—nature, heraldic symbols, and art historical movements (Op art, Pop art, Neo-Geo, Concrete art).

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

How technologies of image-capture and the channels of communication have in recent years transformed the very terms of human rights.

A critical essay on the state of the academic world, and a call for the development of an autonomous knowledge production.

This leporello is the result of a collective photographic stream of consciousness based on a project lead by the Bureau d'investigation photographique: In random order, each member of the group opts for an image to which the following member answers by association and according to his own subjectivity.

Study book made by artist George Trakas in response to a commission issued by inhabitants of the Lamelouze commune in the southern French region of Gard, north of Alès (as part of the “New Patrons” program, initiated and supported by the Fondation de France).

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the video Tightrope and a series of three performances, this publication is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. It offers insight into the artist's practice and elaborates on the topics she tackles in her works.

Monograph documenting a project undertook by the Swiss artist from 2009 to 2016, in which she examines the practice and tools of a center for fundamental research in the field of cognitive neuroscience. With texts by Joerg Bader, Pascal Rousseau, and Anne Immelé.

Centro de Arte 2 de Mayo in Madrid invited Oriol Vilanova to intervene in the center's collection of graphic works. Developing its reflections on the modalities of exhibitions, Vilanova collected and exhibited empty window cases from Madrid's museums.

The catalogue of Claude Closky's exhibition of artists' books at CDLA, as part of the 40th anniversary of the Centre Pompidou. Kalavryta—the font used in the publication was created specially for the occasion by the French artist.

This LP gathers two sound works by Cologne-based radio producer, performer and composer of experimental music Peter Behrendsen. Nachtflug is a live-electronic piece based on the sounds of bats made audible, and Atem des Windes is a text-sound composition inspired by a Taoist text.

This recording is the sonic counterpart to Dutch artist Paul Panhuysen's last visual work Oog & Oor—a colorful design whose structure was built from sudoku puzzles. Panhuysen used the same principle to compose these sudoku-based pieces in collaboration with carillonneur Rosemarie Seuntiëns.

This LP pairs two organ-based works by German composer Ernstalbrecht Stiebler. More closely associated with his position as a radio editor and producer, Stiebler composes a reductionist music built on minimalist structures and repetitions, and influenced by Minimalism in visual art.

Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.

This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.