Exhibition catalogue dedicated to the meeting of two of the most innovative fashion designers in Japan, Keisuke Kanda and Kunihiko Morinaga.

An investigation on the performative future of cinema, followed by two studies on Lettrist's cinema and on the end of the projectionist.

First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

This manual of aesthetics, tinted with humour, provides the key to a happy existence through the unexpected combination of the philosophies of Buddha and Nietzsche.

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

Artist's book based on Schultz eponymous work, a video project based on the German artist's sculptural installation at the Kunstverein Braunschweig, and filmed by a flying robot camera.

This monograph offers a rich critical overview of the work of Luca Bertolo from 2012 to 2017, with essays by Craig Burnett and Dieter Roelstraete and an interview with Antonio Grulli.

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

Oompah, Tom-tom, Tootle-too & Toot narrates the story of four members of an orchestra who animatedly chat during a break backstage at the Henry Le Bœuf concert hall in Brussels. Through gossip, arguments, and existential crises, they shake the axioms and notions of community, authenticity and happiness. The dialogues by Lili Reynaud-Dewar are illustrated by Kristien Daem's photographs of Gaillard & Claude's sculptures.

For three years Rico Scagliola and Michael Meier have been taking candid photographs of people from all walks of life and of every age in public and semi-public urban spaces: on streets and city squares, in cafés and bars, train stations and airports, stores and shopping centers. Combined with genuine words taken from the internet or heard in the street, this photographic series is a comédie humaine of the present day and age.

Appetite for the Magnificent is a photographic and essayistic exploration of the history and present-day world of the aquarium. The contribution by David and Tania Willen tackles the aesthetic dimension of Swiss present-day aquariums, while Jörg Scheller's essay on naturalist Philip Henry Gosse retraces the evolution of the aquarium at the interface between art, science and religion...

Conversation on artist Éléonore Pano-Zavaroni and art historian Stéphane Sauzedde given by Martial Déflacieux (Artistes en résidence, Clermont-Ferrand) and Virginie Bobin (Villa Vassilieff, Paris).

The socialism of Capital: a collection of texts by economist Christian Marazzi on the new capitalist regime formed out of the 2008 crisis.

Published on the occasion of the 250th anniversary of the foundation of The French National School for Decorative Arts, this catalogue documents and expands a unique project built around a workshop gathering former and actual students, and an extraordinary exhibition of 250 posters in the Paris metro.

Collection of texts (1968-1994) by French art critic Gilbert Lascault.

This issue addresses the shiver and explores the affective dimension in the field of art. With: Aseman Sabet on Stendhal syndrome; poetic images and waking dreams in contemporary art; the aesthetic shudder, from Nietzsche to Castellucci; Anicka Yi; Myriam Lefkowitz; interview with Sophie Jodoin; the Venice Biennale and Manif d'art 8; reviews and selected publications…

Kim West, Exhibition, Apparatus, and Media, 1963-1977 / Yann Chateigné, 1977 / Richard Parry, London, London / Lotte Arndt on Enquête sur le/notre dehors by Alejandra Riera / Peter Fischli, The Hiking Trail Around the Airport / Liam Considine on “Thinking of readymades belong to everyone®” / Giovanna Zapperi on “Show Me Your Archive” / Oleg Frolov on Tobias Kaspar / Anke Dyes on Till Megerle / Christian Haye on Juliana Huxtable / Camilla Wills on On Charges (The Supplicants) by Elfriede Jelinek / Jeanne Graff, Clifton Clifton.

This issue of Spike looks at the real as a fault-line of art and a utopian horizon of its agency. Welcome to the oasis of the real (featuring Francesco Vezzoli, Maria Hassabi, Asad Raza, Emily Jacir, Wayne Koestenbaum, Gabi Ngcobo, Tristan Garcia, Calla Henkel & Max Pitegoff…)!

Artforum looks at Russia and the Art of Revolution: A century after the Soviet uprising of October 1917, Matthew S. Witkovsky, Devin Fore, and Owen Hatherley look back—and forward—at the fate of radical culture, utopia, and politics; architect David Adjaye talks about design, culture, and society; Ina Blom on Ed Atkins and the science of weather simulation; and more.

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, T. J. Demos critically surveys that thesis and points to its limitations, trough a series of cases study taken from contemporary visual culture.

Catalogue documenting an eponymous exhibition inspired by the Oulipo's literary strategies and the notion of potentiality. Nine artists presented a series of artworks in a display that changed continually according to the choice of the spectator.

This publication presents the goals and objectives of the The School of Missing Studies—a collaborative and experimental platform study on urbanism in transition.

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

This catalogue brings together international artists and theorists to reflect upon conditions surrounding female artistic, theoretical and institutional practices and contemporary gender studies within the changing landscape of biopolitics affected by the digital economy and social change.

Mimicking the codes of fashion magazines, this artists' review gathers contributions reflecting on the aspects of memory and time in clothing.

Cura's new issue connects the different sections with one common thread: the machine as a possibility or as a threat. The magazine also extends its “Inside the Cover” section with three essays on this issue's cover artist, Max Hooper Schneider. Plus: Sam Lewitt on Michael Asher's 1991 exhibition at Le Consortium in Dijon ; interviews with John Bock, Korakrit Arunanondchai, Kenric McDowell, Bailey Scieszka ; David Horvitz in conversation with Margot Norton ; Nicolas Deshayes' sculptures ; Pakui Hardware ; Haroon Mirza's visual essay ; Bruno Zhu…

Interviews with Frieda Toranzo Jaeger, Rana Hamadeh, Aria Dean, Barbara Chase-Riboud, Beatriz Santiago Muñoz, Lin Ke, Yasunao Tone, Timothée Calame, Sara Deraedt; round-table on the relations between art, dance, and theater; Yann Chateigné's notes on time; Kathy Noble on institutional trauma; Jens Hoffmann, Candice Hopkins, Chus Martínez, and Ingo Niermann on issues related to cultural appropriation; Sofia Stevi by Andrew Berardini; conversation with Liz Craft and Stanya Kahn; the use of augmented reality in arts; round-table on performance studies; Hendrik Folkerts on monumentalization.

What defines cultures? How enduring are they over time? And where are the origins of the foundations of what we regard today as European culture? This catalogue examines questions that emerge as soon as the discussion turns to culture. It gathers works by Jonathas de Andrade, Lothar Baumgarten, Yervant Gianikian & Angela Ricci Lucchi, Friedemann von Stockhausen, Clemens von Wedemeyer, and Aimée Zito Lema.

Double album compiling all 3 volumes of the Movement Building serie, dedicated to Gabriel Saloman's music for contemporary dance.

The conclusion of Saloman's musical trilogy for contemporary dance, this time inspired by a work by choreographer Vanessa Goodman. The bowed guitar, militant percussion and searing guitar eruptions, are joined by distorted guitar, minimalist piano attacks, melancholy guitar melodies, a patina of harsh noise, and a more contemporary approach to drums and bass. (download code included with one additional track).

This artist's book presents a recent series of works by Emil Michael Klein. These large-scale oil paintings on canvas, executed from 2013 to 2016, are transformed here by the medium, format and reduced size of the printed book. Designer Teo Schifferli has brought together the artist's own selection of 30 high-quality art prints of his paintings, including different takes and angles on those canvases, as well as other stand-alone works by Klein.

First artist's book: 25 poetic notes on love written on a memorandum.

Mark Thomas Gibson questions the long-lost quest for utopia in the USA through a narrative that brings together the high and low visual languages of painting and comics.

In Western Australia, musician Ross Bolleter collects ruined pianos that he parks into open cemeteries and from which he draws his inspiration for his compositions. In this publication, Bolleter explains his musical practice and tells the unique story of these ruined pianos scattered in the heart of the Australian territory.

A biological investigation of a Nordic man-made beach landscape through a series of cameraless photographic registrations of the site's flora, fauna, and particles.

Los Angeles 1989 Tokyo 1991 brings together a collection of images from two of the most complex and undefinable metropolises on the face of the Earth, the social and urban form of which is ceaselessly reshaped by the minimal existence of millions of people in movement. Lombardelli's photographs are also cinematographic homages to the works of Wim Wenders and Yasujirō Ozu.

The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States.

In 1961, L'Illustrazione Italiana sends critic Giorgio Zampa and photographer Ugo Mulas to carry out a reportage in Denmark. Along their meetings with writer Karen Blixen or Nobel Prize Nils Bohr, the two correspondents also witness the new manifestations of the Scandinavian lifestyle, characterized by its design and its modern habitats.

Etel Adnan, Dike Blair, Thomas Huber, Dorothy Iannone, Mathias Kiss, Tiziana La Melia, Stéphane Lecomte, Jan Melka, Mario Milizia, Francis Picabia, Vimala Pons, Laure Prouvost, Louise Sartor, Ashley Hans Scheirl, Alice Wietzel...

This publication documents a site-specific work by Giovanni Anselmo at the Carlo Scarpa space of the Querini Stampalia Foundation, in the framework of the Venice Biennale.The project takes the form of a route of trajectories and directions, weights and energies which represent five moments in which a meaning is implied: the visitors become participants. It is a work in progress because it is lived and lives through the viewer.

Collection of black & white photographs celebrating Italian actress and filmmaker Asia Argento in Paris. The volume is risograph-printed and enclosed in a silk-screened slipcase. With a quite striking foreword by no-wave priestess Lydia Lunch.

This publication documents a site-specific work by Elisabetta Di Maggio at the Museum Portego of the Querini Stampalia Foundation, in the framework of the Venice Biennale. Ivy plants invade the palace's private rooms and create a relationship with past and present time, placing the viewer inside a visual alienation.

Collection of essays on dance revolving around the notion of “body.”

French dancer and choreographer reports on various relationships to the movement in dance, relying as much on classical and contemporary performances as on concepts borrowed from philosophers, linguists and art theorists.

The fictional biography of a dancer, inspired by interviews conducted by the author with dancers of all origins and age.

A collective study on the theatrical reenactment of the storming of the Winter Palace by Soviet dramatist Nikolai Evreinov, on the occasion of the October Revolution's third anniversary. This staging of the beginning of the revolution, performed by 10.000 people, is documented thanks to an ensemble of texts, photographs, and drawings.

Anniversary dictionary of the The French National School for Decorative Arts, which brings together the students and teachers who contributed to the reputation of the school, from Rodin to Xavier Veilhan, Martial Raysse, Francis Picabia, Cieslewicz, and Matisse.

At the crossroads of theater, performance, and poetry, this collection of texts puts forward women's voice to express their power of resistance against their condition.