The voice as a space of publication in itself.

German artist Leila Orth deals with the question of what places of remembrance there are and can be.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

The portfolio of the unique retrospective conceived by the Jeu de Paume reveals the singular vision of photographer Madeleine de Sinéty (1934-2011).

An anthology of responses to Reiner Schürmann's philosophical research, writings, and commentaries.

An album entirely dedicated to the sound composition created by Éric La Casa for Luke Fowler's film A Grammar for Listening, based on recordings (images and sounds) made in Paris and Glasgow. A new stereo version from 2023 interacts with the original mono soundtrack from 2009.

The first monograph of American artist Spencer Lewis.

The first album by the egalitarian and variable-geometry group of musicians/composers created by Hervé Boghossian, combining microtonal electric guitar, Turkish lute, hurdy-gurdy, and church organ.

The first English translation of Alexandra Kollontai's "My Heart Belongs to the Finnish Poor", originally published as "Suomen köyhälistölle kuuluu sydämeni" by the Finnish Trade Union Federation in 1911. The essay is printed in 200 copies as a risographed poster.

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The 3rd issue brings together 25 artists, writers, filmmakers, and composers from around the world, and showcases around 100 previously unpublished artworks and texts.

Yoann Sarrat presents a collection that showcases his practice of performative writing combined with tattooing (with and without ink—which he calls “dermographic poetry”) and dance.

Ayoung Kim, Tom Lloyd, Karimah Ashadu, Photography's Materialities (roundtable and portfolios), Rosemarie Trockel, Amie Siegel...

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Listening as a means of building community and knowledge.

Nadya Tolokonnikova, R.I.P. Germain, Petra Cortright, Sophia Al-Maria, Aleksandra Domanović, Dennis Cooper, Philippa Snow, Banks Violette, Simon Denny & Hito Steyerl, Cory Arcangel & Maya Man, Diego Marcon, Jacolby Satterwhite, Danielle Brathwaite-Shirley, LuYang, Florentina Holzinger, Candela Capitán, Steffani Jemison, Charmaine Poh...

A collection of essays and interviews reflecting on the future through the lens of artistic thought and action.

A wide selection of paintings and drawings by Margherita Manzelli from the 1990s to the present day.

Andrew Berardini on Artificial Intelligence; Pepón Osorio; Arash Nassiri; Gloria E. Anzaldúa; Marcela Guerrero speaks with C. Ondine Chavoya; Daisy Lafarge; Dani Blanga Gubbay; Davide Stucchi speaks with Alex Bennett; Luca Lo Pinto on Hanuman Editions; Reynaldo Rivera & Abdellah Taïa; Jungle Books...

A broad overview of the contemporary Mexican art scene through a series of conversations with its leading figures.

A selection of the most significant contemporary practices by Portuguese or Portugal-based artists.

Research on materials conducted by two leading figures in 20th-century Italian art, Enrico Prampolini (1894–1956) and Alberto Burri (1915–1995).

Deeply shaped by his long-term residence in Indonesia, the conceptual practice of Italian artist Marco Cassani engages with the country not as a tourist or detached observer, but as an active participant in navigating the reconfiguration of authorship in a globalized landscape.

A comprehensive survey of Ahmet Doğu İpek's artistic journey over a decade.

An artist book providing an immersive entry point into Valentin Noujaïm's cinematic world.

This second edition of Alcove deepens the archive of Modern Arab art through 30 new personal essays.

Amalgama is the outcome of the fourth edition of Convivial Tables, a field-based research project commissioned by TBA21–Academy for Ocean Space, dedicated to exploring the relationships between food and ecology, and their impact on bodies of water.

This volume explores the life and work of Antonio Beato (c. 1835–1905), aiming to address the gaps in existing scholarship on this remarkable photographer. It highlights his distinctive body of work, his role in nineteenth-century photography, and the significance of his images in documenting the Middle East.

The first comprehensive study of Lucia Marcucci.

This book, the first dedicated to the work of Michaela Sanson-Braun, traces thirty years of practice across Germany, London, and France. Bringing together paintings, drawings, collages, sculptures and installations, it also features sixteen paintings conceived especially for this publication and printed on uncoated paper.

Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.

Five dance pieces and an iconographic imaginary in convulsion: making the most of these ingredients, Alexandra Balona engages with the work of Cabo Verdean choreographer and dancer Marlene Monteiro Freitas.

This unprecedented catalogue collects over 300 pieces reated by Adriano Costa over three decades, listed in alphabetical order—titles are a key part of Costa's works—, alongside new writing by Fernanda Brenner and Milovan Farronato, two critics who have long followed and championed the artist's practice.

First monograph on the British painter.

Production of exhibitions and production of discourse on exhibitions.

This book celebrates Radicale1924, a contemporary art residency founded in 2020 by Belgian choreographer Chantal Yzermans.

The artist's travel diary in New York.

Focused on the questions of image-making and image display, Craft is an artist's book by made up of a substantial body of images that, directly or indirectly, engage with the notion of fabrication—manufactured objects, compositional experiments, architectural forms and more.

A retrospective of the London-based Dutch artist's work over two decades.

27 features 27 recent works from two series titled Clementine and Merlin (2023–24) by London-based artist Magali Reus. This book, in its beautifully crafted materiality, format and typography, mimics a diary or romantic novel.

Jennifer Rochlin's first monograph covers over 7 years of artistic practice and gathers more than 40 works, illustrated by 131 color plates. The publication features essays by journalist and writer Alexis Okeowo and by artist Tony Marsh.

Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.

Edited, designed and printed by Matrijaršija, this riso-printed book is the first in the Tehnika series and is based on research into the left-wing union of typographers and printers active in Yugoslavia in the 1920s and 30s.

This volume expands the scope of the labour struggles represented in Erkko Kivikoski's 1973 film by discussing a seminal reportage by writer Marja-Leena Mikkola on women industrial workers, and placing both within the wider context of Finnish labour history.

First English language translation of Alexandra Kollontaï's writings on Finland from 1906.

Olavi Laiho's aliterative anti-fascist text written in 1944 in Oulu prison just before his execution. First time published in its original Finnish and in English translation.

First English edition of the visionary play by German playwright and communist activist Berta Lask (1878-1967).