This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.

Those recordings of Gongs Orchestras were made during Funeral Ceremonies in two Kung villages and one Jaraï village in Ratanakiri province, Cambodia by Laurent Jeanneau (Kink Gong) in 2003 and 2004, at a times when jungle had not been replaced by rubber plantations. Focusing on funeral's ceremonies, those hypnotics pieces are intense and haunting harmonics sonic experiments.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

The twelfth album by DAAU is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process.

A collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities.

A comprehensive insight into the images of landscape by the Ethiopian-born artist Robel Temesgen.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

An analysis of contemporary artistic practices among artists from Estonia, Latvia, and Lithuania in the context of evolving global networks and art production.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

The glass as a listening device.

Klára Hosnedlová; Duval Timothy & Grace Wales Bonner; Diane Severin Nguyen; Rebecca Ackroyd & Kyla McDonald; Dozie Kanu & Precious Okoyomon; Zeinab Saleh & Gea Politi; Gina Fischli; Barbara Kruger; Gino Attwood & Caroline Elbaor; Gray Wielebinski & Philomena Epps; Motoko Ishibashi & Cassidy George; Stella Zhong; Sophie Jung; APERTO '93...

A selection of the artist's work from 2020 to 2023, accompanied by a text by Glenn Adamson.

A collection of early texts by Reiner Schürmann, on religion, Zen, language, Eckhart and Heidegger.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

Works on paper by the Belgian artist.

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

Script is the second book of artist J.J. Zana and a continuation of the series started with Cycles. Composed of fragments, it gathers eleven sections—with a central part telling about his experiments with drugs.

An exploration of the multifaceted nature of time through the artworks of seven artists, encompassing different artistic approaches and investigations, ranging from the transformation of objects and their meanings over time and history, to the current role of artificial intelligence in the creation of images and its relationship with the visual arts, as well as the geopolitical tensions of the present day.

Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

The first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades.

Montauk Surf Journals by surfer, artist and world traveler Tony Caramanico presents a stunning selection of his art representing his 60 years in and around surfing.

The immersive, monumental paintings documented here were the first works that José Parlá created after his recovery from a life-threatening battle against Covid.

The debut, self-titled album from German trio Schatterau: 15 elegant miniature pieces made with an old 4-track cassette recorder, offering a lo-fi walk through a patchwork of warm, nostalgic, dreamlike and strangely familiar soundscapes.

François Bayle's luxurious, monumental retrospective box set: 15 CDs covering half a century (1963-2012) of acousmatic creation, accompanied by a 160-page book with various texts, a 2012 interview with Thomas Baumgartner, presentation and annotated catalog of works by Régis Renouard Larivière, and photographs.

The challenges of participatory artistic research.

The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Feuilles (Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.

With the theme "Building," this issue is interested in the future of architecture as a practice of creating housing for the living within urban agglomerations. It questions the ways architecture, as the creation of living spaces, always requires collaboration with several participants including, hopefully, the users.

The transdisciplinary journal continues its return around the theme of the chanson.

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).