New York–based fashion label Telfar; Eli Diner on the proleptic videos of Melanie Gilligan; Julia Bryan-Wilson on the fleeting-yet-emphatic multimedia art of Cecilia Vicuña; Daniel Horn on Emil Michael Klein's canny abstraction; Ronald Rose-Antoinette on the Wood Land School's yearlong decolonization of SBC Gallery; Cristina Guadalupe Galván talks to home-based artist Alison Knowles; Pierre-Alexandre Mateos & Charles Teyssou bid adieu to the hyperglycemic concept store Colette; exhibitions reviews.

The third volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

Grande poussière is the product of a collaborative poetic writing process carried out over the course of several years. Forms, approaches and sensibilities come face to face, an uneasy meeting of words and matter.

Improvised trio featuring sound engineer and Synthi player Jean-Marc Foussat, and father and son Christian and Quentin Rollet. Free music with a wide dynamic range and wild acoustic and electronic spaces.

The first French translation of the landmark work by media theorist Friedrich Kittler.

An introduction to media theory.

First French translation of this much noted collection by the London-based writer and performer.

Special feature “Blanchot and the narrative”; a study on Blanchot and photography; Jean-Luc Nancy; Philippe Jaccottet; a poem by the late Michel Butor…

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

Artist's book.

Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

Texte 3 is another pictureless book by Beni Bischof, printed in standard pocket size. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

Mapping the practices of performative cinema today.

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

Carlos Bernal Ferrara illustrates the fluctuations induced by the printing of a PDF file by printing a square repeatedly until a grid is obtained. From the immaterial plane image to the printed tangible notebook, the physical factors related to the printer or the paper moved the lines. Through this gesture of repetition, the artist demonstrates that we will always obtained a different result even if the file is the same.

Catalogue of the namesake exhibition dedicated to artists' calendars, featuring a text by the project's curator Marie Boivent, interviews with Matthieu Saladin and Claude Closky, plus a selection of works with explanatory notes.

A collection of amateur photographs selected from more than ten thousand digital photos retrieved from found SD cards.

A series of images from a movie shot in Super8 format, on an industrial cod-fishing trawler in Terre-Neuve.

Artist's book: an illustrated collage-book made up of recurring visual elements from Franco-Belgian comics. The publication is designed in the traditional format of the bande dessinée.

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

Sun-blasted organ music from Australia.

Novel.

Jérôme Noetinger's first solo album (Revox B77 tape recorder, microphones, radios, Korg MS20 synthesizer, piano, objects): a panorama of his practice on tape recorder.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

An improvised piano solo, dense and furious.

A series of plays (independent of each other) that all refer to a scene from Greek mythology.

Artist's book exploring the notion of rigor in experimentation through the constraints of the grid and structure.

Recorded in March 2016, “Actions Soniques” is a meeting of free rock with free impro into an electroacoustic environment with a clear and powerfull voice. This is the last CD from Dominique Répécaud (1955-2016).

The long-awaited new edition of the breathtaking oeuvre of Francesco Messina and Raul Lovisoni originally published in 1979 by the legendary Gianni Sassi's Cramps Records label, openly inspired to the unfinished metaphysical novel "Le Mont Analogue" by the French writer René Daumal.

Historical pictures, texts, indications about project, list of recorded sounds, full edit plan & manuscript facsimile of the piece achieved by the composer at Deutsche Grammophon studios in 1970 in Hannover, from the recordings dated July 1967 in Vela Luka, Croatia.

Restored manuscript from the composer, historical documentation about the 1971 acousmatic work & genesis.

An essay that extends Ingemo Engström and Gerhard Theuring's movie.

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

An odyssey into sex, death and terror: the sleaziest and scariest pulp comics ever created.

The portfolio of the exhibition at the Jeu de Paume.