Grounded in theories and practices of withdrawal and in the critical questioning of creation, materiality, and objectified artistic output, The Site Residency program at the Baltic Art Center was imagined as a residency that would result in no material production. This publication presents the outcomes of the program's three participating artists—Annika Eriksson, Susanne Kriemann, Agnieszka Polska—, including the results of their invited ghostwriters.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art.

Monograph dedicated to painter Martin Jannink by François Michaud, curator at Paris Museum of Modern Art. The rare and remarkable painting of the French-Dutch artist is figurative, both romantic and expressionist, full of melancholia, out of present time, with a delicate and disturbing strongness. The publication also documents Jannink's participation in the 1956 Budapest insurrection.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

This recording is the outcome of two sound projects—a performance and an installation—started in 2010 and 2012. Using a recording device as a sound producing source, the Slovene artist investigates the spatiality of sonic manifestation.

A polyphonic work of creative resistance, this publication by sound and visual artist Israel Martínez reflects on the present state of Mexico and its regime of narco-politics through artistic works, interviews, notes, images, and collaborations with fellow writers, curators, activists and artists.

This monograph documents over a decade of works and exhibitions, and offers an intimate portrait of an artist who put the language at the center of his visual practice.

Conceptual art in the United States (1965-1975): theoretical tools and European influence.

Publication based on the eponymous film by Etienne Chambaud and Vincent Normand in which the authors develop the concept of the “Decapitated Museum.” The voice-over in the film has been made into a one-edition book, which was rephotographed according to the technique the authors used to make the film. The outcome is a photography book that is as much a text document than an imaginary scene.

Publication documenting the pilot episode of a series of video works by Invernomuto that avails itself of the structure and production processes of a TV series. This episode deals with the true story of a conflict between natives and settlers in New Zealand during the eighties.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

A well documented bilingual (English / Japanese) publication presenting ten recent paintings by the artist, and highlighting the special relationship between Pierre Soulages and Japan, where his work was exhibited very early in his career and quickly enjoyed significant recognition. A unique catalogue, published on the occasion of the opening of Perrotin Tokyo.

Drawing on Gilles Deleuze and Félix Guattari's concept of the “girl,” this series of essays brings together a team of contributors to forge a radically inclusive definition of subjectivity in modern philosophy.

Why do computer games exist? A historical and epistemological study of the computer game.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

Photographic book celebrating the collaboration between the “UrbEx” photographer Francis Meslet and the “Mind Travels” Series—a series of albums dedicaded to ambient, neo-classical, and industrial music produced by French music label Ici, d'ailleurs. Meslet's photographs of abandoned places give a special echo to the musical approach of the series. The publication is sold with an audio compilation of selected musical pieces taken in the “Mind Travels” Series.

Four artistic destinies at the heart of the Tiananmen Square protests; Hudson Yards, Manhattan; Todd Haynes's Wonderstruck; London's museums and the British gay history; American women artists in the Age of Trump; Paris's museums get hooked on all things biological; Mexico City artists beyond modern traditions; interviews with Camille Henrot and Liz Glynn; portfolio by Li Ran; “Negative” section with the Seagram building's new restaurants, a farewell to Colette, Gustavo Dudamel, and more.

Interviews with Amit Dutta, Lisa Sanditz, Nina Katchadourian, Anoka Faruqee & Michelle Grabner, Suzanne Bocanegra, Adrienne Truscott, Marcus Steinweg, Mike Wallace, Lucy Ives; portfolio by Renee Gladman; a text by Kristen Gleason, the winner of BOMB's 2017 Fiction Contest; an essay by Jennifer Kabat; Édouard Louis's “New York diary”; books and shows reviews, and more.

In their September 2017 issue Artforum look ahead at 40 exhibitions worldwide, Huey Copeland and Frank Wilkerson on museums, monuments, and race, reviews on the 57th Venice Biennale, Documenta 14, and Skulptur Projekte Münster, Amy Taubin on Top of the Lake: China Girl, and more.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

The Contour Biennale offers a platform to curators and artists working with different forms of moving image, from film and video to installation. This reader accompanies the 8th edition of the biennale, dedicated to the notions of evidence and testimony. It includes texts and illustrated contributions by international artists, writers, poets, anthropologists, and filmmakers.

Since 2013, the art magazine Contemporary And (C&) has called attention to exhibitions, artists, and curators from diverse African perspectives while boosting new areas of debate. I am built inside you, C&'s first book, is a compilation of eighteen pieces published since the magazine was launched.

Companion book to a project by the artists Annie Vigier and Franck Apertet (les gens d'Uterpan), which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.

Two-volume publication gathering a booklet accompanying Pierre Bismuth's 2015 solo exhibition at Kunsthalle Wien, and a catalogue raisonné indexing his typically serial and often humorous work of the last three decades.

The catalogue of the Irish Pavilion at the 57th Venice Biennal presents a video project by Jones in which Korean actors reenact a 1970s documentrary of a “conflict resolution therapy session” with individuals who experienced the conflict in Northern Ireland.

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo.

An examination of intersections of mass-population displacement and architecture through the twentieth century and into the present (with visual contribution by Omer Fast).

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs, with an original artwork signed by the artist.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

Catalogue presenting a series of watercolours in which artist Sophie von Hellermann re-interprets artworks by Alex Israel, Sergej Jensen, Karen Kilimnik, Sarah Lucas, Marisa Merz, Kelley Walker, etc., all from the Cranford Collection.

2 CD set gathering instrumental pieces from this last five years. Christophe Guiraud uses old instruments such as the Hotteterre flute, the viola da gamba or the viola bass, combining them with electronics.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

Univers Zéro's second album released in 1979. A classic of chamber rock music featuring heavy use of dissonance and dark, brooding and extremely complex melodies. 2010 remixed version.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

The 10th issue of Nazi Knife takes the form of a vast album covering a dozen iconographic sequences of unclassifiable aesthetics.

Edited by artist Joachim Hamou, this publication offers a current analysis of the similar issued shared by the fields of contemporary art and of the performing arts, through essays, interviews, and an unpublished play by British artist Cally Spooner.