Publishing as an alternative artistic practice.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

From September 20 to November 8, 2013, the artist wrote and sent to his loved ones, day after day, each page of this intriguing short story, punctuated by the epiphore "frappe dans ses mains" ("clap your hands").

First monograph, spanning ten years of work by Senegalese artist Sheikh Ndiaye. This volume focuses more specifically on his installation practice, in particular the artist's Hippocampus project. It also features a text by Mamadou Diouf and an interview with Ndiaye.

Edition of poetic texts, illustrated with original works by Olivier Bringer.

Edition of poetic texts, illustrated with original works by Olivier Bringer.

Field recordings and electromagnetic improvisations by French artist Pali Meursault.

Initiales, the art and research magazine published by the École nationale supérieure des beaux-arts de Lyon, dedicates its eleventh issue to a major figure of contemporary sculpture, Isa Genzken.

Catalogue / artist's book gathering 137 anonymous works from the 16th century to nowadays coming from the collections of the MUCEM – The Museum of European and Mediterranean Civilisations in Marseille.

Narrative essay developping the notion of abhumanism, a critical philosophy which questions the centrality of mankind in our relationship to the world. With illustrations by Camille Bryen and a foreword by Michel Giroud.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

The encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

An in-depth and circumstantial study of the work of Franz Radziwill (1895-1983), a major and controversial representative of “magical realism” in painting.

The private and personal side of a painter (first monograph / artist's book).

A new series of oil paintings and pastel drawings, with vivid colors and a child-like spirit.

Publication documenting a project by German artist Marlene Maier, the joint recipient of the 2017 Kunsthalle Wien Prize. In her 3-channel video installation Food only exists on pictures, Marlene Maier finds a visual “language” for the blurring and absence resulting from the opaque merging of technological and techno-political processes.

Au dernier voile de sable is a long erotic and learned poem which evoques the Greek mythology, written by Jean-Philippe Pernot, photographer and film maker, illustrated by the reproductions of black and white surrealistic prints which represents bodies and bones, made by the young artist Hélène Damville.

A fiction in which the author-narrator shares his observations on the current art scene as he wanders through Paris.

A crime novel in which the narrator chases a mysterious woman from Paris to Barcelona, via Basel and Bucharest. The text is accompanied by a series of photographs by Felice Varini taken from four walks in Paris, Rome, New York, and Krefeld.

Positioning itself between drawing, sculpture and writing, the work of Gianandrea Poletta is defined by the artist's own life experiences. In his first artist's book, a selection of short stories written in the first person, lo-fi cell phone pictures, and a rich array of ink and marker pen drawings, are brought together in a sequence that overlaps mediums and temporalities.

The artistic development in China from 1998 to 2018.

Catalogue documenting a recent series of works by the Greek American artist, which blends painting, sculpture, and photography. In his practice, Gerasimos Floratos plays with the idea of site-specificity, and is strongly inspired by the Situationist concept of psychogeography.

This first monograph on Paulo Nimer Pjota, profusely illustrated and collecting several essays and a long conversation between the Brazilian artist and Kiki Mazzucchelli, takes stock at Nimer Pjota's signature condensation of pictorial concerns and life lessons. His layered works, like modern, rough palimpsests, are testaments to the artist's collapsing of high with low, society and history with the personal and the marginal, often told through readymade details and objects that Nimer Pjota corrals in front of the wall pieces.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

This anthology dedicated to spoken-word pioneer Jurczok 1001 compiles a wide selection of typed scripts, ranging from his early raps to pieces inspired by concrete poetry. The volume features a text by writer and performance artist Melinda Nadj Abonji.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

An educational investigation on the relationship between design and techniques.

Issues 10 to 12 of the critical review dedicated to graphic design, around Robert Brownjohn, Klaus Scherübel, Julia Born, Simon Starling et Poster of Girl, Revue Emmanuelle.

Tribute to American sound poet Z'ev, interviews with Derek Bailey, Philippe Baudoin, Marc Sirguy from Modularsquare, illustrations by Richard Bokhobza and Thomas B, chronicles and disc reviews…

Issue devoted to the relations between art and fashion.

Rachel Churner on the art of Barbara Hammer, James Quandt on the films of Lucrecia Martel, Sarah K. Rich & Amy Sillman on Laura Owens, Kazuyo Sejima talks with Julian Rose on museum architecture, Melissa Anderson on Sophie Fiennes's Grace Jones: Bloodlight and Bami, Tobi Haslett on Mark E. Smith, plus reviews from Paris, London, Los Angeles, Berlin, Mumbai, Istanbul, Chicago, and more.

Gender, voice, language, and identity in musical composition and experimental sound practices.

Saâdane Afif, Jacqueline Kiyomi Gordon & C. Spencer Yeh, Pan Daijing, Dominique Gonzalez-Foerster, Forensic Architecture & Metahaven, T. J. Demos, Nicolas Moufarrege by Élisabeth Lebovici, Mounira Al Solh, and Dean Daderko, Lisa Ponti by Hans Ulrich Obrist and Franco Toselli, Dieter Roelstraete, Vivan Sundaram, Lin May Saeed, Post-Performance Future by Marie de Brugerolle…

Place.Labour.Capital. takes a reflective look at the first years of the NTU Centre for Contemporary Art Singapore, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies.

Catalogue of the second edition of Lulennial, a biennial organized in the small space of gallery Lulu, in Mexico City. The twenty-two artists invited by curators Chris Sharp and Andrew Berardini met around one subject matter: fruit.

The publication is the first comprehensive study of Baruchello's relationship with the moving image from the sixties on.

This publication features a series of lithographs which captured impressions of wild animals. This technique was developed by artist Michael Günzburger to explore with directness and immediacy the physical energy of bestiality. The series is accompanied by a text by writer Lukas Bärfuss which takes the reader on an expedition up through northern woods all the way to the frozen wilderness of an island in the North Sea.

Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).