A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life.

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

Journal designed by Laurent Lolmède.

This publication explores the fascinating world of Franco-Swedish artist Rebecka Tollens: Inspired by her own dreams, these lead pencil drawings conjure a troubled atmosphere intermingling themes of Nordic mysticism, sorority and childhood. The publication highlights a series devoted to the Sami people from the Far North.

This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabecedaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice.

This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabécédaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice.

Bouchra Khalili's films, video installations, photographs and silkscreen prints suggest civic platforms, from which members of minorities perform their strategies of resistance to arbitrary power. This catalogue dedicated to the French-Moroccan artist spans ten years of creation.

After a meteorite crashes into his yard, the daily life of Rockabilly and of his neighbors takes a strange turn… Mike Wilson's third novel combines social criticism and science fiction, depicting the dark corners of American suburbs at night.

Issues 13 to 15 of the critical review dedicated to graphic design. Compilation includes studies on Peter Bil'ak's essay on the exhibition of graphic design; the posters produced by M/M (Paris) for CDDB-Théâtre de Lorient; and the collaboration between studio Spassky Fischer and Marseille's MUCEM.

Climate change and land art in the American West; restoring the Lo Manthang temples in Nepal; Museums and the logic of social media; interviews with Torbjørn Rødland, Jason Moran; fashion designer Martin Margiela celebrated in two Parisian exhibitions; on Brazilian women artists; portfolio by photographer Wiktoria Wojciechowska…

Space as a privileged place to think and question our place in the world.

This issue is about the return of the family in neoliberalism, the influence of the political right on the arts, about #metoo, indie and Édouard Glissant, about young rappers and life in the commune. With Otto Muehl, Sandra Mujinga, Christoph Schlingensief, Anselm Franke, Aria Dean, Yewande Omotoso, Alison Gingeras, Seth Meyers, Liam Gillick, Dean Kissick, Alice Creischer, and many more.

Catalogue.

This publication examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization. Its liberation from colonial rule has come to a standstill due to Morocco's continued military occupation of a part of the territory. The protracted conflict has dramatic consequences for the Sahrawi people of Western Sahara.

Departing from his eponymous exhibition at Kunsthalle Wien, this catalogue examines new works by acclaimed video and visual artist Marcel Odenbach. The series gathered in the publication reflect on the persistence of the victim-perpetrator structure within post-war society, in Germany or Africa.

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8.

This 4th issue of the anthropology journal explores the tension between indeterminacy and narrative in archaeology and art.

A conversation with multidisciplinary artist Virginie Yassef about her work The Veldt, inspired by a play by writer Ray Bradbury. An interview contucted by Julie Pellerin, Mathieu Copeland, and Philippe Quesne.

Cura. yearlong investigation into the body continues. This issue is devoted to different artistic experiences and practices—crossing generations, time, space, and media—revolving around the boundaries, powers, forms and interpretations of the body that exist within the present world (Amalia Ulman; Hannah Levy; Lynn Hershman Leeson; Prem Sahib; Celia Hempton; three essays on the dancing body, the loving body, and the collective body…).

Kris Lemsalu by Andrew Berardini; Mitch Speed on the anti-power of the found object; an essay on photography and Instagram by Nick Currie; Sabrina Tarasoff on Beyond Baroque Literary Arts Center; Ana Teixeira Pinto on futurisms; the Women's History Museum; Ericka Beckman, Dara Birnbaum, Lynn Hershman Leeson in conversation with Emily Watlington; Bouchra Khalili; Kate Newby…

A trilogy on the artistic development in Asia from 1998 to 2018.

Wheels gives a special overview of Olivier Mosset's career through the prism of his fascination for motorcycle and motor vehicles and their influence on his artistic practice.

This publication stems from the 2018 edition of ARCO – Madrid international contemporary art fair. Taking as a point of departure the exploration of the concept of “future,” Chus Martínez, Elise Lammer, and Rosa Lleó wrote essays discussing different topics (art fairs, human evolution, and experimental education). These texts are illustrated by works by nineteen artists featured at the Madrid fair.

The articles and interviews included in this issue of Flash Art address the human body, introducing artistic practices that push the body's physical boundaries and challenge its codified representations. With Luchita Hurtado; special feature on artist, educator, curator, and cultural theorist Ian White; Lena Henke; Martti Kalliala on the transformational experience of Burning Man; Eric N. Mack; Stefano Sollima; Bruce Nauman by Isabelle Graw (on Flash Art March-April 1993); exhibitions reviews.

Reference monograph.

In the midst of a demographic crisis, the world witnesses the emergence of a new form of human life, the New Eve, whose particularity is to be transsexual… A tragicomic novel offering an unprecedented reflection on gender and totalitarianism.

An experimental crime fiction set in flooded Paris.

A collection of literary texts by contemporary writer Benoît Toqué. It brings together texts written between 2014 and 2017, and either performed at public readings or created during workshops.

This catalogue examines the strategies deployed by Iraqi contemporary artists to reinvent their heritage, after decades of wars. Focusing on archives, historical collections, and databases, these artists celebrate a visual culture that resists erasure. The publication includes a critical apparatus and detailed presentations of the artists.

Daphné Le Sergent's “Geopolitics of Oblivion” exhibition focuses on the technical language. The catalogue takes the form of a photography-drawing manual built on the notion of separation.

This monograph presents a collection of texts and critical essays taking the form of an alphabet primer. Twelve art critics, curators or writers chose a keyword as starting point to write a commentary on Boris Achour's practice. The publication also includes an iconographic documentation offering an overview of the artist's works.

This publication is a literary narrative depicting radio projects on the landscape of French rivers Somme and Rance. It includes notes documenting the making of the two radio plays, as well as a series of 23 photographs.

Autobiographical fiction telling forty years of radio creation.

With exceptional contributions of artists, academics and musicians, Benga, A Kenyan Kaleidoscope investigates the future of East African music and avant gardes in the limelight of a digitalization of artistic practises.

An artistic, political and collective project by Nicolas Floc'h, based on a principle of participation and co-realization, which points, at different levels, to the multiple relationships between social groups and public institutions that structure and frame them, while also questioning the symbolic or economic value of an artwork.

A visual overview of 40 years of concerts, exhibitions and events at l'Oreille est Hardie / le Confort Moderne in Poitiers: 512 pages of photographs, flyers, and clippings, superimposed in colorful layers to compose a hallucinatory anthology of images.

This publication documents an audacious project by Julien Berthier, in the context of a workshop at Le Confort Moderne in Poitiers. The artist found a landlord willing to flip one facade of her house, in order to create a painting. The book features a text by writer and performance artist Daniel Foucard.

This book revisits the oeuvre of Alain Séchas as a whole, with a particular focus on the works produced over the past decade—most notably his paintings and drawings.

J.G. Ballard, Nicolas Ballet, Alexandra Bircken, Jimmy Desana, James Horton, Ana Jotta, Martin Laborde, Jonathan Martin, Sibylle De Laurens, Pascaline Morincôme, Clément Roussier, Catherine Roudé, Marion Scemama, William J. Simmons, Sabrina Tarasoff, Cosey Fanni Tutti, Charles Veyron, David Wojnarowicz.

An essay by Frédéric Valabrègue on the American avant-garde artist, one of the main actors of the Fluxus movement.

Art critic Rahma Khazam brings together a heterogeneous collection of authors offering a variety of interpretations on the work of artist and poet Franck Leibovici.

First French translation of Judy Chicago's autobiography-manifesto.

Catalogue of the double exhibition examining integral themes within American artist Jay DeFeo's (1929-1989) practice, featuring Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R.H. Quaytman, Ugo Rondinone, Bosco Sodi, and Oscar Tuazon.

The first volume of the retrospective catalogue of Le Consortium contemporary art center (new edition).

Special offer for the purchase of the two volumes of the retrospective catalogue of Le Consortium contemporary art center.

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music, with an original and unique artwork.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.