Fictionalized biography of Anita Berber, the sulphurous expressionist icon, dancer, actress, and muse.

Alain Freudiger on Max Frisch, Camille Paulhan on Jérémie Bennequin, Estefanía Peñafiel Loaiza et Marianne Mispelaëre, Warren Lambert, Erik Bullot on Michael Snow, Sylvie Lagnier on Jean-Marie Pontévia, Jacques Sicard, Denise Le Dantec, Julio Ramon Ribeyro, Stéphane Marte, Baptiste Gaillard, Fabien Clouette & Quentin Leclerc ; dossier “The Skin” (Caroline Parietti, Heidi Bucher, Kazumichi Hashimoto, Jacques Roman, Christine Bergé, David Collin), Jean-Guy Coulange, Philippe Baudouin...

Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement.

Footnotes from the Centre for Research Architecture brings together short contributions by students and staff of the MA 2017-18 programme. This publication provides a conceptual framework to compile a series of visual and textual footnotes by each of CRA's students. It enables each student to make visible a crucial fragment of the research process that fits neither within the dissertation's narrative or within the exhibition's format.

A raw extraction from the email inbox of an aerobics teacher.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

A philosophy of decolonization that intends to show how, in knowledge and the arts, the past can be passed.

The growth of thought on ornament, applied arts and architecture in the industrial age, between ornamental impulse and decorative project.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

“Primitivism” as a tool for analysis of post-war French society, between a modernization and decolonization movement, and possible forms of resistance.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

Special offer for the purchase of two volumes dedicated to correspondence of Gustave Courbet.

A review of the epistolary correspondence of Gustave Courbet, by an ethnologist, a writer, a psychoanalyst, a hunter, a philosopher, a gastroenterologist, a psychiatrist, two curators, and six art historians.

Five writers respond to Clare Goodwin's painting Dennis and Denise (2018), offering narrative foils to Goodwin's visual language. Dennis and Denise is neither described nor explained, but serves as a catalyst for literary experimentation. The texts, in turn, illustrate the painting's wealth of implicit meaning (texts by Tony Grisoni, Rebecca Geldard, Chris Fite-Wassilak, Frances Loeffler, Aoife Rosenmeyer, J. Emil Sennewald).

Affiliated with Vaporwave—a sub-genre of electric music and art which criticizes and mocks 1990s internet imagery—artist Chloe Feinberg takes a new turn with this series of black & white erotic illustrations.

A game of cards and strategy whose goal is to bring out his or her rival from the Hospital, a place of freedom without boundaries. Players will have to use alternative medicine, electroshock, trade union struggle and occult forces to succeed.

Visual documentation on Jonathan Monk's eponymous exhibition, commissioned by curator Marc-Olivier Wahler on the occasion of the twenty-year anniversary of the CAN Centre d'art Neuchâtel. The British artist revisits an iconic exhibition he did during the first years of the CAN in 1997. The publication confronts the images of the two events.

First monograph.

Cicoria is a visual essay conceived as a stream of images of the Alessandro Cicoria's past and current artworks, put together with apparently no visual coherence by Cicoria himself. A dialogue between the artist and curator Luca Lo Pinto is the map to understand the peculiar attitude behind his work and vision.

This charming volume stages a dialogue between an ink-drawn character named Little SomeOne, and her creator, illustrator and writer Perrine Rouillon.

This publication features academic and literary contributions, interviews, songs and photos which explores the impact of labor migration on the notion of motherhood from the perspectives of women migrant workers and children left-behind.

The scripts of Romy Rüegger's performances: a constellation of texts, largely written to be spoken. The scripts as they are printed do not document the performances primarily. They are indications of spacial and temporal layering, juxtapositions of aesthetic and poetic elements and bodies. Overlapping every day observations with archival material, confronting, jumping.

This first monograph accompanies a series of videos inspired by the Metabolist utopist architecture movement, created in 1959 in Japan. The videos bring together several portraits of Japanese towns, combining digital images with filmed or photographed images of social and urban reality.

The relation between crime and power through the lens of archives. Featuring: William Friedkin, Stasi Archive, La Notte, The Secret Life Of Elena Ferrari, Giorgio De Chirico On World War One, The Jonestown Massacre, Marco Malvaldi on suicide, Danse Macabre by Alberto Martini, Phone Taping Vertigo on Aldo Moro. Great thought by Elio Petri On Police Power, Cold Balkan Blood by Ana Blagojevic, Professor Andrea Pinotti on the shroud, Brad Feuerhelm on anxiety and photography, Howard Bingham: The Invisible Photographer and Michael Salu on private pictures from the first Gulf War.

On the occasion of this 13th issue, the Japanese artist asked 46 participating artists to cultivate a hyacinth, and to give an account of this experience through artistic gestures, including paintings, photographs, poetry, haiku, essays, and observation diaries (with Yukinori Maeda, Masanao Hirayama, Benjamin Sommerhalder, Susan Cianciolo…).

This film documents the struggle for the preservation of the prehistoric rock art sites in the Côa valley in Portugal in the early 1990s.

Limited edition, numbered from 1 to 50, signed, and accompanied by a multiple by Benoit Maire.

Opened to the public since 2005, Codalunga is a section of Nico Vascellari's studio in Vittorio Veneto devoted to experiments in visual and sound art. This publication documents a project which has been going on for a decade now, gathering artists from all around the world.

This publication reflects on the education and mediation programs at documenta 14. Organized as a lexicon, it gathers contributions by members of the programs, curators, artists, and educators.

This publication offers a narrative of artist Alex Martinis Roe's research into a genealogy of feminist political practices in Europe and Australia from the seventies until today.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Limited edition, with an exclusive Toilet Paper puzzle.

Stemming from a Public Art Zurich project, this publication gathers texts and international artists contributions exploring the condition of 21st-century cities in relation with contemporary art.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

The first survey of text works by artist Ane Hjort Guttu. Written between 2003 and 2018, the texts range from public statements, poetic short prose, film scripts and reflections on the role of the artist to essays on art for children and the link between light and wealth.

The production of alternative and solidarity-based knowledge through the linguistic, sexual, biological and geographical margins.

This book examines the notion of deferred receptions of theories and art through language, context and translations.Vincent Bonin explores the gap between the publication of a text in one language and that of its translation (using the example of the French Theory), or between the inaugural presentation of an artwork in one context and its subsequent display. A critical reflection on the discourses surrounding contemporary art practices.

Second in a trilogy of children's books, The Brutal Turtle tells the story of a Turtle wandering in the desert, trying to reach the animal farm. Facing cruel obstacles during his journey, he becomes angry and terrorizes the farm's people once he arrives at the farm. A tale on power's relativity, hate, violence, and on the importance to be nice.

The last in a trilogy of children's books, this publication tells the story of a hamster stuck between the pages of a book. Wishing to escape to discover the animal farm, he will find the help of his own fleas. A story about caring and learning, by artist Keren Cytter.

This artist's book reproduces a series of comics made by Victor Man when he was a child in communist Romania in the early 1980s. These drawings reveal the artist's fascination for the then rare Western magazines. The publication opens with a letter from Victor Man to little Rózsa, to whom the book is dedicated.

In a corrupt town of North England shortly before Thatcher, a group of kids sets a “white noise” insurgency to try and save the city. A disturbing and captivating novel.

Bettina Funcke on how appropriation became cultural appropriation; Mary Flanagan on the history of Virtual Reality art since the cave paintings; Pablo Baler on Bio-Politics, Bio-Tech, Bio-Art and Bio-Fiction; James Gill on the death of subculture in the 21st century; image spreads by artist David Mramor and microdosing pioneer Paul Austin, plus much more.

Nina Garcia, Clark Gable, the music of Jacob Ullmann, the end of musical boundaries by Kasper T. Toeplitz, a text by Jean-Léon Pallandre, interviews with Thomas Bonvalet (Ocelle Mare) and Emmanuel Lalande (PiedNu), chronicles and disc reviews…

Interviews with Chris Martin, Cy Gavin, Tauba Auerbach, Sam Hillmer, Amy Jenkins, Florian Meisenberg, John Akomfrah, Simone Forti, Ottessa Moshfegh, Anna Moschovakis…

What roles and functions does type play in design? How does it relate to the meanings of type inherited from other knowledge disciplines?