Artistic practices and psychotropic drugs: a recent history of psilocybe in art; Nan Goldin; Bryan Lewis Saunders: self-portraits under the influence; Colleen Wolstenholme; Jeremy Shaw; Christian Skjødt; reviews and selected publications…

Special 1980's Issue: artist/activist collective Gran Fury; Liam Gillick; Philippe Thomas; London “style bible” magazines The Face and i-D; Bob Nickas; interview with Pippa Garner; the music criticism of American Spycho's Patrick Bateman; Rosemarie Trockel; 80s Vienna art scene; Mathieu Copeland on post-modernism; Helene Winer; Ericka Beckman; Jean Baudrillard: the signature thinker of the 80s…

Artforum invited Ken Okiishi, Jacolby Satterwhite, and Paul McCarthy to reflect on the work of Bruce Nauman in honor of his first comprehensive retrospective in 25 years; Sam McKinniss on the art of John Waters; Alejandro Segade on queer Chicanx zines; Lynne Cook on Anni Albers; Madeleine Schwartz on the 10th Berlin Biennale; plus reviews from Paris, Riga, Milan, Zurich, and more.

Artist's book.

An extensive documentation of the art collection initiated by Eric and Suzanne Syz, on the occasion of its installation at the Syz Group Headquarters in Geneva in 2017. Featuring iconic works from the 1980s, the ever-expanding collection also promotes established and emerging contemporary artists.

The late Belgian artist Guy Mees has been a central figure of Antwerp's art scene since the 1970s. This catalogue features emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s; two unpublished essays, and an interview with the artist.

A joint catalogue focusing on two group exhibitions at the Künstlerhaus Graz dedicated to the examination of current performative practices in relation with the main works of historical forerunners.

A mystery murder artist's novel by Alex Cecchetti, in which the artist and narrator realises he is dead and decides to investigate the causes of his own death.

This reader addresses the concept of “contemporaneity”, the temporal complexity that follows from the coming together of different temporalities in the same present. It asks how these temporal qualities can be made known in the context of contemporary art research and particularly through practices that involve exhibitionary forms.

A Western Marxist analysis of the relationship between the historical present and political action.

Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that “there is no now,” Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.

A critical analysis of the use of the term contemporary in scholarly and disciplinary discourses through the hypothetical project of a literary history of “the contemporary.”

Avant-garde Croatian experimental '70s masterpiece, never reissued before.

Second full-lenght release by German sound-poet and writer Michael Barthel on Tochnit Aleph. A 60-minute piece recited from memory. Recorded April 2018 straight to tape without overdubs. Raw, unsettling, poetically incorrect.

First ever release of the sound poetry pieces by French lettrist artist Gérard-Philippe Broutin. The remarkable lettrist text-sound pieces contained on this CD were written during the early 1970's and recorded and broadcast at Radio France in September 1976. With introductory texts by Jean-Pierre Gillard.

Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

A 520 pages reference monograph which traces the career of Claude Lévêque, and more particularly these last ten years. The core of the publication contains numerous reproductions and texts by Florence Ostende, David Sanson, and Dean Daderko. This edition also includes four inserted booklets, each dedicated to a specific topic: “practical work,” “writings,” “projects,” and “biography”.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

This artist's book is part of a choreographic project exploring the body/object relationship. It features a photographic series which juxtaposes performers' bodies and objects, creating contradictory associations. The publication also includes two texts by Paul B. Preciado: an essay on the philosophy of movement, and a poem on sexual subjectivity, written with artificial intelligence.

This issue of Cura. asks the question: how can we be revolutionary? Through a kaleidoscopic range of visions, images and actions, artists figure out the production of a new social body and challenge the establishment. With: Alex Da Corte; Jeremy Deller's Social Parade; Simon Castets; Martha Wilson's performances; Petra Cortright on Paul Chan; interview with Jamian Juliano-Villani by Hans Ulrich Obrist; conversations between and Daniel Steegmann Mangrané and Rivet, Jean-Marie Appriou and Rebecca Lamarche-Vadel, Sophia Al-Maria and Lena Saraj; Ramaya Tegegne…

The first artist book by Athena Papadopoulos conceived as a diary and a novel. The publication is a collection of drawings and thoughts of the artist in the form of a romance, published in two different editions.

A relecture of of the European Pop Art through a selection of works stemming from private collections.

Focusing on a lesser known aspect of Walter Pfeiffer's practice, this monograph explores the Swiss photographer's graphic works throughout the decades: large-scale hyper-realistic pencil drawings, drawings in China ink, colored pencils and watercolors, characterized by a joyful sensuality that emanates from his portraits of friends and his floral still lifes.

A photographic journey in search of the very last bluesmen. The birth of a vocation for the Italian photographer.

A 7" double groove cut concept-album (2004-2017), including field recordings and ringtones composed by Laura Mello.

A graphic examination of white in its entirety: as a matter, a surface, a space, a light, a movement, an idea.

This catalogue stems from the artist's eponymous video project dedicated to Argentine pianist Margarita Fernández. The publication reproduces two texts from seminars given by Fernández, in which she gives an analysis of the filmic and musical writing taking the example of Robert Bresson's use of Franz Schubert's Sonata in A major.

Originally published in 1983 by Maurizio Nannucci, this collection gathers a careful selection of audio works by American body artist and conceptual artist Terry Fox, also a pioneer of sound art.

Catalogue of the American artist's exhibition at Galerie Chantal Crousel: the publication presents a series of new works (neon, painting, drawing) inspired by texts by Gertrude Stein and Pier Paolo Pasolini, and by the artist's reflections on language, race and gender. The book includes poems by writer, artist and Act Up activist Gregg Bordowitz, and an essay by teacher and writer Sara Nadal-Melsio.

A poetic portrait of Francis Bacon, inspired by the artist's own archives.

This publication brings together two early works by Heimo Zobernig, Farben and Alphabet.

Never released before: on the occasion of the 60th anniversary of the GRM, the composer François Bayle introduces us to some of his unpublished archives.

Spanning 1966-1990, Mémoire Magnétique vol.1 is a revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. The first volume of this compilation allows us to discover some of these lost tapes and unpublished recordings which were composed for the screen or the performing arts.

This monograph reflects on Michel Journiac's body of work through the prism of transvestism. With great iconography from the Journiac's archives, the publication focuses on his photographic performances, combining analyzes by authors and specialists and texts by the artist, one of the great body art's precursors.

A history of photography through its accidents.

This trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.

Rémy Zaugg's early work.

All poems written by Apollinaire during World War I, gathered for the first time.

A poetic story in prose at the crossroads of genres, difficult to locate as it only describes the non-place in which it is built.

Claude Favre delivers a poetry made of readings and borrowings, a present poetry, attentive to the movements of men and to those who constrain them.

Fully documenting Koki Tanaka's latest video & photo project, this publication focuses on a pressing issue from the artist's native country—the mutual incomprehension and mistrust between Zainichi Koreans and ethnic Japanese—to plead for vigilance when it comes to racism and discrimination.

Jacques Attali's chronicles on art.

First monograph.

Catalogue of the quadruple major retrospective exhibition celebrating Gilbert & George's one-of-a-kind half century of creating art together: an overview of their practice, featuring a selection of historical pictures deemed by the artists themselves as the most representative of their art and life, and five new interviews by Hans Ulrich Obrist and Daniel Birnbaum.

A contribution to the construction of a critical thought of the iconic economy of the relations between text, language and image.

A pastiche, playful and educational aesthetic manual.

This monograph brings together nearly a decade of work, combining sculpture, installation, artist's book and writing. More specifically, the publication explores the themes of growth and training within the artist's conceptual practice, through a long interview conducted by writer and curator Dieter Roelstraete.

This publication features a series of 152 paper dolls by artist Klaudia Schifferle, also co-founder of cult punk band Kleenex / Liliput. These collages, created with magazine cutouts collaged on A4 paper, embody a certain vision of modern life, identified by consumerism and commodity fetishism.