Interviews with Mary Weatherford, Nanfu Wang, Lee Quiñones, Venkatachalam Saravanan, Tyshawn Sorey, Ben Whishaw, Édouard Louis, Geovani Martins, Prageeta Sharma, and James Thomas Stevens.

Travis Jeppesen's Bad Writing is a collection of interconnected essays and “fictocriticisms,” many appearing in print for the first time, that etches a pathway for a truly radical “bad” modernism in art and literature. Erudite, witty, and occasionally controversial, Bad Writing reinvigorates the too-often staid medium of art criticism as an iconoclastic and inventive literary art form.

In Design by Accident, Alexandra Midal declares the autonomy of design—in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present (new edition).

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

The Fevered Specters of Art is the final chapter of a long-term project curated by Edit Molnár, Lívia Páldi, and Marcel Schwierin that started with a group exhibition at Edith-Russ-Haus für Medienkunst, Oldenburg, in 2016. The show looked back on the epoch of Cold War radicalism and anti-colonial revolution, an era characterized by a proliferation of ideas about how radical social change might permeate the globe.

Fanzine / artist's book.

Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition.

Published on the occasion of the 58th Venice Biennale and edited by Magalí Arriola, Acts of God by Pablo Vargas Lugo reflects upon faith beyond the confines of religion, and finds its traces, in different forms, in our contemporary world.

Catalogue of Driant Zeneli's multidisciplinary film and sculpture installation for the Albanian Pavilion at the 58th Venice Biennale.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Artist's book: a catalogue of Alex Hanimann's photographic explorations over the past twelve years, with interview by Hans Ulrich Obrist and two essays.

The singer Christophe puts to music Olivier Mosset's interviews.

A short story by Pierre Loti (1850-1923), which tells the irremediable separation of a couple of beggars who have lived together for a long time, illustrated by a sound piece by Quentin Rollet and Romain Perrot (Vomir).

Aesthetics and politics of architecture of logistics.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

New book on Maya Schweizer's moving image works and complex montage aesthetics, with six essays.

An history of the artwork and the image first apprehended as an act and a process.

Focusing on the American South, Andrew Moore's "Blue Alabama" depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

A selection of poems by Jean-François Bory covering more than fifty years of creation (1965-2019), from the most emblematic to the most recent, rare or previously unpublished.

Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.

An unprecedented transdisciplinary study dedicated to the deathly relationship between sharks and surfers, initiated from a thorough analysis of newspaper obituaries.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

New monograph: an overview of Andrea Pichl's sculptural, drawn and photographic work, with four essays.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

Palais magazine is devoting its issue #29 to the exhibition “City Prince/sses”, presented at the Palais de Tokyo from 21 June to 8 September 2019. Artists, fashion designers, filmmakers, musicians, DJs, tattoo artists, experimenters: about fifty creators coming from Dhaka, Lagos, Manila, Mexico City and Tehran are investing the Palais de Tokyo which has become an imaginary city, multiple and complex, open, messy, thundering and creative.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

New monograph.

First monograph.

New monograph.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

First monograph.

Documenting Pope.L's exhibition at La Panacée, this catalogue's content comprises texts from the curators, Nicolas Bourriaud and Noam Segal, and photographs of the show. Pope.L worked in close collaboration with graphic designer Johanna Himmelsbach on this editorial project.

A genealogy of modern architectural culture through an analysis of the project both theoretical and practical of the Italian architect, historian and critic of architecture Manfredo Tafuri (1935-1994).

The first French edition of the text on exile by ancient philosopher Favorinos (circa 80-150).

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

The 5th experimental novel by French artist Béatrice Cussol.

Art, destruction and creation.

This Summer Artforum reflects on Stonewall at 50: to celebrate the occasion, Artforum invited 24 gorgeous artists and writers to share an early or particularly vivid memory of a gay bar. Plus 5 artists and curators consider the legacy of Okwui Enzor, William E. Jones on the art of James Bidgood, Derek McCormack on Thierry Mugler, Molly Warnock on Gilles Aillaud's Rhinocéros, eau et rochers, exhibition reviews from Paris, Berlin, Athens, Tirana, and much more.

Art beyond good and evil.