Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

Issues 16 to 18 of the critical review dedicated to graphic design.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

This double LP forms a tribute to Pizzica, an antique music from Southern Italy, used to heal people suffering from tarantism, a mysterious disease caused by a spider. It includes field recordings of musicians-exorcists in the 1950's in Puglia, and six reworks by contemporary electronic musicians.

A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

An overview of the experiments carried out over four years by the CCE research laboratory of the National School of Art of Limoges, between ceramics, glass and new technologies.

The first album of Ophelia, a band composed of the artist Emilie Pitoiset and two members of Aluk Todolo, Shantidas Riedacker and Matthieu Canaguier.

A talk between three artists around Julia Scher's work.

Michael Scott's ink drawings .

The development of spatial and tridimensional drawing in American art, both in theory and in practice, from the 1960s through the 1970s.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

Matera and Taranto; interviews with Abraham Poincheval and Siri Hustvedt; Nyege Nyege and underground music in Ouganda; Jonathan Capdevielle...

This November in Artforum Bruce Hainley on Pierre Bonnard, Domenick Ammirati on the art of Georgia Sagri, Declan Long on Derek Jarman, and Natasha Stagg on Anicka Yi. Plus, exhibition reviews from Milan, Berlin, Amsterdam, Istanbul, Dubai, and more. 

A series of colorful invented landscapes, by American painter Shara Hughes.

A collection of colorful paintings inspired by science fiction and classical Antiquity. A prequel to the artist's ongoing Megalith series of publications that acts as a PH sample of his broader painting, collage, and print studio practice.

This catalogue for Philippe Parreno's first solo show in mainland China, at the Rockbund Art Museum, reveals the artworks presented in the exhibition.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

Cloud Atlas is a collection of 10 short pieces composed by Toshi Ichiyanaghi between 1985 to 1999. Vertical Study gathers rare pieces composed by Claude Ledoux. Both are performed by Japanese pianist Kaoru Tashiro.

Maria Beltsikova and Tatiana Dordzhieva are two Kalmyk folk musicians, named after the Mongolian descendants living in Russia. This compilation gathers traditional Kalmyks songs (about the deportation of the Kalmyks in 1943-1944) and Soviet folklore.

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro (limited marbled vinyl edition).

These recordings performed by pianist Philip Thomas reveal Wolff as a composer fully exploring, in different ways, the continuum between music which is highly fragmented, embracing extended silences—composed or indeterminate—to that which is more progressive and seemingly driven, albeit taking in disarming and unconventional routes.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

Artist's book.

The catalogue of the eponymous exhibition by Caroline Mesquita, published on the occasion of her Fondation Ricard Prize. The French artist works primarily with metal, creating sculptures and staged video with strong narratives.

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

Monograph dedicated to artist Brittany Nelson, who appropriates techniques from 19th century photography to create works of feminist science fiction and queer abstraction.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

A collection of ten facsimiled Moleskine notebooks filled with works by Swiss artist Aldo Schmid.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

This publication documents a visual research on the perimeters of all five boroughs of New York, featuring a photographic portfolio, a set of maps and a series of texts.

Both a journal and a photographic report, this publication documents Luca Vitone's travel from Italy to India, in the footsteps of the first Roma migrations between the eighth and fourteenth centuries.

The first in a series of publications dedicated to the exploration of the archives of the Italian region of Basilicata from an artistic perspective. This volume focuses on areas affected by the reclamation of the water system.

A textbook for the project "The Kids Want Communism,"—a clandestine and public series of events marking the century of the Bolshevik Revolution. Contributions discuss the legacies and meaning of communism today.

What can it mean to return home? Inspired by author Georges Perec's Espèces d'espaces and artist Hreinn Friðfinnsson's House Project, this catalogue brings together international artists to investigate the various facets of coming home.

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

Monograph dedicated to the films of the Israeli artist Assaf Gruber. Articulated around eight conversations related to the films' production, this publication reflects an important theme in Gruber's work: what effects can art have on individuals far removed from the artistic field.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

Publication documenting a series of workshops involving Raumlabor, a Berlin-based group architects, and the youths of Barca, a neighbourhood in outskirts of Turin. The project, which advocates for the re-appropriation of the public space, saw the development of a series of inhabitable environmental installations.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

The second in the series of publications "Notes on Archives" dedicated to archival practices, Culture is Our Business offers a comparative case study on the archival policies of a commercial agency and a non-profit independent organization through the example of a 1919 image by photographer Willy Römer.