The redefinition of the medium through the interrelation between contemporary art and cinema.

Special issue of the journal of philosophy and humanities, devoted to the multiple dimensions of emancipation.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Edited from the composer's archives, historical documentation about the project & genesis of the work inspired by The Divine Comedy by Dante (1973).

Diary of a journey of introspection.

Modernism/Murderism brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of India's Gujarati-language literary periodical Kumar between 1959 and 1964.

A surrealist anticipation novel by the Indian artist.

In Sculptor's Notebook, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

Twelve articles by Michael Bierut, translated into French and annotated, complemented by a selection of his most emblematic projects.

This essay examines and explains the history of the most famous classic typeface and its many modern and contemporary incarnations.

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

A collection of Antoine Bernhart's automatic drawings.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.

Narok (“hell” in Thai) shows the various reinterpretations of Thai hell’s gardens done by a myriad of artists from all over the world.

Illustrators / comic book makers / funny people Johnny Ryan and Frédéric Fleury started insulting each other by posting obscene, crude, hilarious drawings to each other. As they are both proud young men and also profoundly disturbed in their brains, they kept this going for, like, six months or something. Finally, here is the book that collects all those comics.

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A text by Iman Mersal inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A speculative arc, spanned with hints from different epochs of occidental music, with poetic and personally coloured texts that deal with the world (of art).

Olga Kokcharova's LP Furnica is a conceptual and striking sound work that emerged from a recording session in a forest, where the Geneva-based artist captured the sounds of an anthill. As the session unfolded, ants infiltrated the recording device and gradually destroyed its components, leading to intensifying sonic disturbances that overtook the original soundscape.

The third and final volume of the catalogue raisonné of Jean-Pierre Raynaud’s work begins in 1998, with the artist’s exploration of skulls and flags.

A collection of photographs by artist Ghislain Mirat taken around the world over a period of ten years, accompanied by a text by Nina Ferrer-Gleize.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

Hannah Baer and Monica Huerta on the Year in Hell; best of 2021: a renowned group of critics, artists, and curators from around the world take stock of the year in art; "Illiberal Arts" by David Joselit; Anne Imhof by Caroline Busta; five celebrated cineastes select the top films of the year; five musicians and critics choose the year's outstanding titles...

The renunciation of art / the art of renunciation.

A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

A travel diary of a handwoven poncho with the keynote of interconnectedness.

The political potential of art.

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

Artist book / first comprehensive monograph.

Catalogue / artist's book.

The BOM DIA weekly planner for 2022.

Yves Scherer's Tatami mats series.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

The 42nd and last issue!

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).