Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers.

A trove of unseen and uncommon Ansel Adams photographs, assembled by Mike Mandel from archival collections.

An eclectic compilation of smart-phone snapshots from the past four years of the photographer's daily adventures.

An original multidisciplinary study of the text-image pair in its political dimension, from the militancy of the early twentieth century to the struggles for "visibility" of minorities.

An in-depth study of the elaboration of the functional architectures-sculptures of the American artist of Iranian origin Siah Armajani (1939-2020), between utopia and pragmatism, allegorizing as much the ideals as the contradictions of the American democracy before being dedicated to figures of the anarchy.

A provocative and stimulating manifesto by Benjamin Bratton that promotes new ways of inhabiting (and artificialising) the planet, facing the environmental, economic and social crisis that radically belies the possibility of a continuation of the current globalised capitalist model.

First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

Portraits in 22 tableaux based on the works and words of Bertolt & George Brecht.

Interférences is composed of three series of poems, constructed like textual photographs. The material of this poetry crosses collective memories (protests against the Gulf War...), social news and intimist inserts, in a logic of telescoping and/or blurring of data.

Vincent Lafaille reinvents a poetics built on the rhythm, sometimes hesitant, staggering, of walking, in a fragmented narrative that is rooted in the time of social movements (from 2016 to 2020) where the question of how to reinvest our cities and our lives—our present—raised.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

Limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author.

The essential place of writing in the work of Josef Albers (1888-1976), one of the most important artists, painters and educators of the 20th century.

A critical and nuanced overview of the figures of the sleeping in the art and thought of the Renaissance, a source of inspiration for artists—Mantegna, Dürer, Brughel, Michelangelo or Tintoretto—as well as theologians, doctors and philosophers (from Aristotle to Zwingli, via Augustine and Montaigne), beyond the negative definition and the traditional condemnation of inactivity and unconciousness.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

Issue celebrating the 30th anniversary of the design research journal, offering a selection of essential articles and free iconographic navigation in the Azimuts corpus.

A collective book that proposes to question human and non-human existence in the current social context, spanning different cosmogonic views.

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Window / Spacetime is a portrait of the city of Berlin. A variety of shops that have names of countries and cities refer to different faraway places and invite the reader on an imaginary journey. Dis- and misplacing distant memories of the past triggers a yearning sense of other destinations within the everyday scenarios.

Conceived in close collaboration with Shimabuku, this new publication tells of the poetic actions conducted during his travels, between his native Japan and Monaco via Brazil, Australia, and many other lands (with texts by the artist, Nicolas Bourriaud, Claire Le Restif and Rirkrit Tiravanija).

Travis Jeppesen revisits Éric Rohmer's The Green Ray; ten shortfictions by Nick Currie on works by Joachim Bandau; Patricia L. Boyd speaks with Dora Budor on probing the architectural, emotional, and psychological boundaries of an institution; Fahim Amir in conversation with Sohrab Mohebbi; focus on Julie Becker; Andrea Viliani on Giuseppe Desiato's autonomous, experimental, and both intimate and radically political practice; Tarek Lakhrissi in conversation with Hans Ulrich Obrist; Ella S. Mills on Ingrid Pollard...

Liu Xiaodong's series of paintings from the Texas-Mexico border.

Industrial production processes applied to literary translation and cultural creation.

Drawing as a sculptural medium.

First monograph.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

Retrospective monograph.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

A photographic project about the history and repercussions of the life of German botanist and gardener Georg August Zenker.

A sculptor's life: on the career and innovations of Makoto Fujiwara.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

A series of over 1200 close-ups of advertising posters in Zürich photographed by Anna Stüdeli.

A critical analysis of the format of the curatorial residency as a research model.

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

A bucolic pictorial / photographic project by Julien Carreyn around a French watermill.

A reference book containing all the transcripts of Simone Forti's News Animations.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

Marialba Russo's collection of photographs of Italian porno film posters from the 1970s, questioning both the view of the original images and their later exhibition.

The history of Arabic calligraphy.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

A new set of sculptures created by Daniel Arsham from the vast collection of molds produced by the Ateliers d'Art du RMN - Grand Palais.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.

This monograph dedicated to the sculptor Klara Kristalova is a tribute to her whole work, revealings on the one hand her drawings and on the other hand her sculptures, sometimes in various exhibition places.