Illustrators / comic book makers / funny people Johnny Ryan and Frédéric Fleury started insulting each other by posting obscene, crude, hilarious drawings to each other. As they are both proud young men and also profoundly disturbed in their brains, they kept this going for, like, six months or something. Finally, here is the book that collects all those comics.

A photographic dive into a New York City at the height of its decadence and its cultural importance.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

Apichatpong Weerasethakul; editorial piracy in Morocco; tragedy according to Angélica Liddell; believing in art school: is it really necessary to separate the soul from the artist?; Andrea Laszlo de Simone...

Hannah Baer and Monica Huerta on the Year in Hell; best of 2021: a renowned group of critics, artists, and curators from around the world take stock of the year in art; "Illiberal Arts" by David Joselit; Anne Imhof by Caroline Busta; five celebrated cineastes select the top films of the year; five musicians and critics choose the year's outstanding titles...

The renunciation of art / the art of renunciation.

A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

A travel diary of a handwoven poncho with the keynote of interconnectedness.

The political potential of art.

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

Artist book / first comprehensive monograph.

Catalogue / artist's book.

The BOM DIA weekly planner for 2022.

Yves Scherer's Tatami mats series.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

The 42nd and last issue!

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).

Facsimile edition of Stephanie Oursler's 1975 artist's book.

Reference monograph on the work of one of Belgium's most discreet, yet most important, female artists.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

With six songs in forty-five minutes, Blend The Horse! adds new influences (Broadcast, Radiohead, Tropical Fuck Storm) and brings together opposites dear to The Snobs: electric and electronic, melodic and hypnotic, noisy and pop.

Modern Animal, a sort of anti-autofiction, knots together humans and animals, retelling interviews, folktales, memories, and visions of the people—bourgeois, urban, rural, Roma, working class—encountered on a multiyear journey through Ukraine.

A long history of Fourierism in France, Great Britain and the United States, based on the theme of cooperation.

A retrospective in images of the activities of the Compagnie Pitoiset in ten theatrical creations, with a long analysis by Daniel Loayza.

Sound American Publications' 27th issue, The Life Issue, proposes a reflection upon the smallness—and largeness—of living amidst a tumultuous, globally-shared moment (featuring Claire Rousay, Susan Alcorn, Jack Langdon, Lea Bertucci & Audrey Chen, Katie Porter, Ahmed Abdul-Malik, Henri Pousseur, Chris Pitsiokos, Catalytic Sound collective, Ka Baird, Mazen Kerbaj...).

My Barbarian, Tauba Auerbach, Petrit Halilaj, This American Wife, Meret Oppenheim, Kayode Ojo, Judy Chicago,Louise Fishman, Yannis Tsarouchis, Ericka Beckman... and more than 35 exhibition reviews from around the globe.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

The social and political dimensions of art and art writing in the contemporary context.

A critical examination of the Studio Experimentelles Design's politically and socially committed approach, questioning the social implications of design as well as the working conditions of designers today.

What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in the business studies?

This publication documents and discusses Tensta konsthall's experimental multi-year project "Tensta Museum: Reports from New Sweden" that ran from 2013–18 in Tensta and beyond. By pretending to be a museum, the project created a richly contrasting patchwork stretching over six years, in which manifold interests and expressions together formed a narrative with tensions and conflicts erupting around questions like "what history and heritage?," "to whom do they belong?" and "what about the present?"

The first monograph of the Romanian avant-garde artist, focusing on the "preliminary drawings" for the work "The Solemn Process" (1964–2008).

A series of compositions using environmental sounds and field recordings from the five continents.