A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

The tenth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, on the theme of the never-finished city, in the context of the large-scale crises that overwhelm us and require us to imagine a new alliance of uses and forms to allow to think that the unforeseeable is possible.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

The first album by Frank Bretschneider and Jan Jelinek's joint project, produced from improvised sessions on modular systems between 2016 and 2020.

The reissue of the compositions for tape and voice of Ursula Bogner (1946-1994), scientist, phamarcian, artist, "outsider" experimental musician fascinated by Wilhelm Reich's work, whose archives were mysteriously discovered Jan Jelinek, compiled by Andrew Pekler.

Transcripts of unpublished lectures and writings by the French architect-urbanist Marcel Lods (1891-1978).

This first overview of Altmann's work to date, characterized by a strongly socio-critical consciousness, reveals the artist's influences and inspirations.

A project for which Alessandro Pessoli brings together some previously created pieces and others made specifically for the spaces of the Cloisters of Sant'Eustorgio.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.

The new full-length record from the duo of Glasgow-based artists Feronia Wennborg and Simon Weins, examining microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback.

Oceans Of Milk And Treacle is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from Mike Cooper's late friend Fred Hardy's book The Religious Culture of India – Power, Love and Wisdom, considered to be one of the most important books on the subject.

An evocative musical tribute to Greek architect and painter Dimitris Pikionis, based on field recordings and small "poor" objects such as tin whistles, music boxes and toy harmonicas: a meditative, whirring, vibrating and suspended sound piece, both "environmental" and particularly musical.

Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

An impressionistic and dreamlike sound portrait of the island of Borneo.

Autobiography by Patrick Tuttofuoco is a visual consideration through the artist's eye about his autobiographical exhibition "like they were eternal" held in Milan at Schiavo Zoppelli Gallery. The collages and the images in the book were created by the artist starting from his installations in the space. The text by Umberto Sebastiano is a metephoric interpretation of the show.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

Giovanni Di Domenico adds another superb piece to his prolific discography with the first of his works to ever feature voice and language as foregrounding elements.

An unusually intimate, close-quarters account of daily life in postwar communist countries.

A previously unseen trove of Kenyan studio portraits, expressing a photographer's vision and a city's lively identity.

An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond.

The first comprehensive survey of Ian Strange's architectural interventions exploring dislocation and social catastrophe.

The first album of Viennese bass clarinetist Susanna Gartmayer and Düsseldorf-based musician and producer Stefan Schneider (Mapstation), partly recorded at the site of Kraftwerk's old Kling Klang studio, synthesizes aspects of industrial and avant-garde music with jazz.

A new approach to psychological suffering, integrating non-Western knowledge with that of psychiatry and psychoanalysis, in order to rethink the cultural and linguistic heritages and crossings that constitute a plural universal.

American conflict photographers at the turn of the 21th century.

Dreamtime X is a diary kept between March 2020 and March 2021, capturing the conditions of lockdown as experienced by the author. Articulated in the form of 100 short poetic entries, the publication veers across a set of ambivalent perspectives.

An alphabet book of the commonplaces of journalistic writing bringing forward its propagandist impact.

An journal of critical and political poetry: Leslie Kaplan, Rothenberg, arts and critical positions, an anthology of contemporary Central American poetry, a catalog of visual poetry, a dossier on the Brazilian concrete poetry group Noigandres, new translations of William Blake by Jean-Jacques Viton...

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

Destruction/reconstruction and contemporary art.

Space in the feminine.

Sylvère Lotringer remembered, Liz Larner, Toyen, Iiu Susiraja...

Ai Hasegawa, Robertina Šebjanič, The Centre for Genomic Gastronomy, Kasia Molga, The Radiant Future of Solarpunk, Listening as Activism, Werkleitz Festival 2021, Climate Care...

Spike's "Web3" issue is all about the blockchain (with Holly Herndon, Rhea Myers, Charles Broskoski, Constant Dullaart, Jerry Gogosian, Ruth Catlow, María Paula Fernández, Wassim Z. Alsindi, Damien Hirst, Miao Ying, Harm van den Dorpel, Sarah Friend, Kenny Schachter, Mónica Belevan, Rafaël Rozendaal, Toby Shorin, Mark Alizart, Primavera De Filippi, Elie Ayache, Simon Denny...).

A study of the body of concrete poetry in the MAMCO collection.

A renewed approach to the history of sculpture and post-minimalism, based on the Royden Rabinowitch collection at MAMCO.

A rereading of Tatiana Trouvé's work based on her drawing practice.

Seven films on the architecture of the Centre de création contemporaine Olivier Debré in Tours and on the exhibitions that have marked its recent history.