A retrospective of immersive performances and installations with which the Israeli sound and visual artist, composer and musician explores the physicality of sound.

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

A lavish, riveting and monumental collection of works and exhibition from 2007–2021, accompanied by newly commissioned texts, on 500 pages (new edition).

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

Persistence of Sound publishes the new solo record by Natasha Barrett, known internationally for her intense explorations of the movement of sounds through space.

Persistence of Sound presents a new album from one of British sound art's most original voices.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

By photographing his sister Julia's adolescence over a decade, Antoine Seiter bears witness to the language that a face can develop by constantly raising the question of portraiture. Julia's story is interrupted by that of young Achilles, the hero of Marc Faysse's novel. Parallel to the photographic work in the theme of the passage to adulthood, the story is a homosexual love story that brings emancipation.

One Thing I Know is Pati Hill's third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to "quit writing in favor of housekeeping".

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

The third issue of the annual graphic design journal, dedicated to image and print techniques, with Atelier Martial, Benrido, Erwin Blok, Lorenz Boegli, Kévin Bray, Alex Chavot, E + K (Élise Gay & Kévin Donnot), Rémi Forte, Nelly Gable & Annie Bocel, Ivan Murit, Peso Pluma, Service Local, Charles Villa, Jan De Vylder & Inge Vinck.

The archives of the 1970s.

Tennis Courts IV completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

Selina Trepp's "dirty drawings".

The 15th issue of Nakako Hayashi's graphic journal, celebrating the 20th anniversary of the project.

Through four case studies, Curating beyond the Mainstream researches decolonial and other non-hegemonic approaches to the profession of curating in Sweden from the 1960s to the early 2000s.

Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s.

An analysis of the relations created by the curatorial—relations that also constitute it.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

Elizabeth Povinelli's anthropology of the otherwise locates itself within forms of life that run counter to dominant modes of being under late settler liberalism. In these essays, she considers the emergence of new worlds and the extinguishment of old ones, seeking to develop a social imaginary that can sustain radical potentiality without turning a blind eye to our deep interdependence.

The new meaning of craft.

Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.

A filmed interview with the pianist, composer and teacher Émile Naoumoff, conducted by Nathalie Guilbaud, with a booklet gathering the testimonies of some of his former students.

A collective reflection on the notions of sympathy and care in the context of the environmental and epidemiological crisis.

A radio creation around the materiality of sound and air.

Previously unpublished performance of the internationally renowned dance band Selten Gehörte Musik (on this occasion: Christian Attersee, Gerhard Rühm, Oswald Wiener) at the closing event of the "Literanover" Festival at the Kunstmuseum Hannover, on November 16th, 1980. Close to two hours of very rarely heard dance music, indeed.

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

Summer issue, featuring Rhea Dillon, Ufuoma Essi, Matthias Groebel, Saodat Ismailova, Karla Kaplun, Reba Maybury, Michel Majerus, Niklas Taleb...

First monograph.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

The return to Lithuania of Francesco Cataluccio.

An essay on relational politics (the Arabic edition of Felwine Sarr's book).

The first in a series of publications emerging from the transoceanic platform Kal, Kal Rituals proposes queer and trans feminist ecologies, embodiments and mythmaking.

Premodern acoustic traces as the basis for new communities of thought in the present (a project responding to the work of the self-taught acoustic archaeologist Umashankar Manthravadi).

A monumental study of the life and times of the late Armenian-Egyptian photographer Van Leo (1921-2002), one of the most singular twentieth-century studio photographers in the Arab world.

A proposition opened up by Umashankar Manthravadi in his practice as an acoustic archaeologist, bringing together writers, choreographers, composers, actors, dancers, musicians, field recordists and sound, light, and graphic designers who engage and transform each other's work.

An exploration of the performativity of the law within Egypt's spectral legal reality.

First monograph devoted to the postcolonial feminist approach of the Berlin-based South African artist.