Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

The European colonial heritage revisited: Meessen invited ten international artists to think the colonial modernity and connect it with the history of avant-garde, political and independence movements (catalogue of the Belgian Pavilion at the 56th Venice Biennale).

Twenty-one collage works by Swedish artist Malin Gabriella Nordin, between painting and sculpture (artist's book).

A concrete / post-digital oratorio in 5 parts.

A text by André Salmon on French anarchist Léon Léhautier, accompanied by a mini-CD containing a piece by Nurse With Wound, Close to You.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

A new drug on the market: an illustrated kaleidoscopic trip by Arnaud Loumeau.

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

The first major survey of Barbara Kasten's work, this publication includes a biography of the artist, a conversation between Kasten and artist Liz Deschenes, and new scholarly essays by curator Alex Klein, and art historians Alex Kitnick and Jenni Sorkin.

Artist's book.

New monograph.

Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

The first detailed study of the artist's book within the Fluxus movement.

First monograph.

Using Jérôme Bel's Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this series of essays explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Including interviews with Jérôme Bel and with the actors of Zurich's Theater HORA.

First monograph / artist's book.

Showcasing 60 artists and more than 100 works from major Italian private collections, the exhibition “Too Early, Too Late: Middle East and Modernity” examines the relationship between the East and Western modernity.

This catalogue investigates the multi-faceted work of one of Italy's greatest artists of the interwar and postwar periods. The book is illustrated by a large selection of archival documents, some of which never seen before.

During a period of three years, Taiyo Onorato & Nico Krebs traveled several months through the United States, working “on the road” on The Great Unreal, a photographic work dealing with reality and the fabrication of reality.

A pioneering study in which professor of media theory Dieter Mersch paves the way for a methodology of aesthetics that would move beyond the “linguistic turn” to create a new scientific discourse that would create a better conceptual understanding of art-based research.

A comparative history of the ruins from the ancient East to the modern West.

Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes.

Artist's book (drawings).

A reader.

In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.

A manifesto-as-culinary-innovation.

An unpublished manuscript, La Ferme radieuse et le centre coopératif (“The Radiant Farm and cooperative center”) describes the country planning project conceived by Le Corbusier and Norbert Bézard in the 1930's.

The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

With Grotesque female creatures, atomic lightbeams, skulls, Pop monsters and ukiyo-e decoration... These polychromic hallucinations of a Master of Psychedelic art were inspired by a near-death experience.

The first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy.

This vinyl edition collects several field-recordings of Matteo Nasini's aeolian instruments, executed by the artist in different places and conditions. Together with the vinyl, the edition presents eight large-format artist's prints related to the same practice.

Based out of Singapore, Kaleidoscope Asia is the first issue of the brand new, biannual and bilingual (Chinese/English) sibling edition of Kaleidoscope dedicated to contemporary art and culture from the Asia Pacific region. Under the art direction of acclaimed Munich-based Bureau Mirko Borsche, the magazine combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

L'herbier: marcher, classer, nommer le paysage / Où donc est passé le réel? (Valérie Belin, Damien Cabanes, Philippe Cognée, Esther Ferrer, Christian Lhopital, Philippe Ramette...) / Sophie Matter / Linda Sanchez / Myriam Mihindou / Farah Atassi / DVD Galeries Nomades 2014, Institut d'art contemporain, Villeurbanne (four exhibition films): Adélaïde Feriot, Maxime Lamarche, Nicolas Momein, Daniel Otero Torres.

First vinyl release of a classic from Sub Rosa's catalogue.

During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, giving at the end a complete understanding of his compositional process and allowing the spirit and vitality of his electronicwork to speak clearly to the listener.

Red Bird was composed between 1973 and 1977, using the studio of the University of York Music in UK. Wishart's compositional interests deal mainly with the interpolation by technological means between the human voice and natural sounds.

“Diorama” special feature (studies on Xu Zhen's Starving of Sudan and Kent Monkman's Bête Noire, essays on Dominique Gonzalez-Foerster and the Persistence of the Diorama, the Diorama as artistic process, Vicky Sabourin's stagings), interview with Nathalie Heinich— in addition to the usual contents.

First monograph.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

The first monograph and visual survey to explore the singular odyssey of John Severson, who revolutionized pop culture's vision of surfing and surf culture through his prolific artistic output that transverses decades and disciplines, through ephemera, painting, photography, film, and publishing.