A compilation of recipes from the Arab world that were presented by artists for Mophradat's online cooking show Lentil Space.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

This artist's book collects the series "All the ambition in the world" (2024) by Ryan Gander, a series of posters for fictitious group exhibitions that never took place, but were imagined by the artist's mind.

Meenakshi Chakraverti's first novel.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

Reference monograph of the Surrealist painter, one of the most important women artist in Spain in the 20th century.

Beni Bischof's zine created on occasion of the Bally fall / winter 2024 collection.

PhD and postdoc supervisors from Europe and beyond interrogate the existing formal educational pathways for artistic and practice-based research.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

A limited-edition box containing a booklet poem, a photo plate and a pocket mirror.

An essential guitarist for over forty years, and an enlightened partner to John Zorn, Tom Waits and John Lurie, Marc Ribot composes here, through memories, short stories and essays, a self-portrait of rare originality.

The cultural and political legacies of the the 1933 and 1934 Arab Exhibitions in Jerusalem.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

Following documenta 15's cascading logic, this issue then branches out, on the one hand, towards further engagements with Palestinian art and visual culture as a way to fend off ongoing erasure and, on the other, towards new understandings of geographies of art practices and histories.

A limited edition repress of the remastered album "Descending Moonshine Dervishes" by Terry Riley, originally recorded live in Berlin in 1975 and released by Kuckuck in 1982.

A compendium of texts and notes around the project developed by artist Alessandro Di Pietro in dialogue with the work of Paul Thek (1933-1988).

A lyrical portrait of Lebanon through the poetry of 60 native women authors.

Archivio n°10, exclusively devoted to design and its history, is edited by designer Jasper Morrison and Marco Sammicheli, director of the Museo del Design Italiano at Triennale Milano.

If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse? In 1981, Richard Sennett delivered six lectures about this relationship, and issued a call to action that remains relevant today.

Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.

The project Islands of Kinship interconnects six mid-scale visual art institutions across diverse regions in Europe in an innovative collaboration model addressing issues of inclusion, kinship and togetherness, democratic exchange and the ethics, emotions and practical solutions for a sustainable and fair institutional operation.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project explores the musical tradition of this important Orthodox site.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project invites artists and researchers to explore and unravel the musical tradition of this important Orthodox site.

2024 repress of KMRU's first release for Editions Mego.

The first ever solo release from electronic music pioneer and innovator Laetitia Sonami, featuring a new composition especially written for her interface/instrument, the Spring Sprye, by her former teacher the legendary Éliane Radigue.

The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.

An homage to melliferous, unifying art of dance, as captured over the course of 10 years and across four continents.

An intimate exploration of the American wedding, an enduring public ritual (new revised edition).

71 contributions from 74 authors, artists, architects, and educators published by e-flux between February–March 2024: Charles Tonderai Mudede, Anna Kornbluh, Adeline Chia, Juan José Santos, Xin Wang, Eugene Yiu Nam Cheung, Salmaan Craig, Maddie Hampton, Jamila Squire, Seth Wheeler, Evan Calder Williams, Anya Sirota, Claudio Medeiros, Victor Galdino, Jason Read, Luis Camnitzer, Ecosistema Urbano, Noah Simblist, Hide and Seek Audiovisual Art, Denny Mwaura, Oriab Toukan, Antonia Majaca, Sylvie Fortin, Hallie Ayres...

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

London-based artist Faye Wei Wei’s debut monograph.

Double issue dedicated to the memory of Bernard Stiegler.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A collection of photographs of couples, as evocative as they are mysterious.

A collection of walking and writing exercises to put our perspective about self and what is other to self, as well as the relations between things, even beyond the human, into question.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

Released in Sub Rosa's Early Electronic series, this LP reveals the extraordinary diversity of research—almost all hidden—by Spanish musicians in the '50s and '60s.

New compositions (by Phill Niblock, Klaus Lang, Bernhard Lang, Milan Guštar, Judith Berkson, Idin Samimi Mofakham and Ian Mikyska) for the sixth-tone harmonium conceived by Czech composer and pioneer of microtonal music Alois Hába in the 1920s and '30s, performed by Miroslav Beinhauerr, currently the only player of this unique instrument in the world, who has single-handedly revived it after decades of slumber.

Baudouin de Jaer pursues his exploration of the geomungo, a traditional six-string Korean bass zither, with a wordless opera in three acts.

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

The portfolio of the exhibition conceived by the Jeu de Paume, offering a chronological look at the evolution of sporting practices since the end of the 19th century, through photographs by some thirty authors (René-Jacques, André Kertész, Jacques Henri Lartigue, Paul Nadar, Marie-Paule Nègre, Bruno Réquillart, etc.).

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.